Contents & References of Analyzing the Semantics of Discourse in the Holy Quran (Based on the Fontane Model of the Case Study of Surah Al-Rahman) The Practical Issue of Depicting the Quranic Stories of the Prophets for the Child Audience Group with the Purpose of Teaching Religious and Moral Concepts
List:
Abstract
Table of Contents
Chapter One: Research Overview
1-1- Problem Definition
1-2- Necessity and Importance of Research
1-3- Research Questions
1-4- Research Assumptions
1-5- Main and Secondary Objectives
1-6- Research Method and Data collection method
1-7- Research application
1-8- Research background
Chapter two: Analysis of discourse-semantics
2-1- Introduction
2-2- Sign and meaning in the transition from structuralist semiotics to discourse-semantics
2-2-1- Sign according to Saussure
2-2-2- Sign of Yelmslev's opinion
2-2-3- The sign according to Peirce
2-2-4- The sign according to Germs
2-2-5- The semiotic square of Germas
2-2-6- The sign in the discourse view
2-3- The interaction of semiotics and phenomenology
2-3-1- Husserl's phenomenology
2-3-2- Merleau-Ponty and sensory perception
2-4- Fluid sign-semantics
2-5- Discourse
2-5-1- History of discourse
2-5-2- Discourse theories
2-6- Analysis of sign-semantics of discourse
2-7- Linguistic operations and main indicators Discourse
2-7-1- Discourse positioning
2-7-2- Discourse connection and disconnection
2-8- Process schemas of discourse
2-8-1- Process schema of tension drop or decline
2-8-2- Process schema of increase or peak of emotional pressure
2-8-3- Schematic of the process of simultaneously increasing the power of compressions and stretches
2-8-4- Schematic of the process of simultaneously reducing the strength of compressions and stretches
2-9- Cognitive dimension of discourse
2-9-1- Cognitive games: spatial and interpretive
2-9-2- Perspective and cognition
2-10- Sensory dimension- Perception of discourse
2-11- Emotional dimension of discourse
2-11-1- Emotional pressures
2-11-2- Emotional scopes
Chapter 3: Semiotic-semantic analysis of Quranic discourse (Surah Al-Rahman)
3-1- The language of the Quran and its characteristics
3-2- Appearance of Surah Al-Rahman
3-2-1- Surah Rahman from the point of view of commentators
3-3- Examining the linguistic operations of discourse in Surah Rahman
3-3-1- Discourse
3-3-2- Speaker
3-3-3- Speaker (speech reader)
3-3-4- Spoken
3-3-5- Discourse
3-3-6-Presence
3-4- Main indicators in the discourse of Surah Rahman
3-4-1- Positioning of the discourse
A) Exchange of externals and internals
B) Presenting (presence)
C) Jasmar (physical)
3-4-2- Direct and implicit implication in the Surah Rahman
3-4-3- Intratextual conceptualization and the underlying structure of discourse in Surah Rahman
3-4-4- Discourse connection and disconnection in Surah Rahman
A) Connection (compression or pressure) in Surah Rahman
B) Dissociation (expansion or expansion) in Surah Rahman
3-4-5- Angle of view in Surah Rahman
3-4-6- Types of metaphors and interpretations in Surah Rahman
3-4-7- Affection in connection and disconnection of discourse
3-4-8- Repetition in Surah Rahman
3-4-9- The role of music and expression in discourse
3-4-10- Tension in Surah Rahman
3-4-11- Tension patterns of Surah verses Rahman
3-4-12- The tense pattern of the surah based on the presented division
Chapter 4: Analysis of the symbolic-semantic discourse of an Iranian-Islamic image
4-1- Discourse reading of the image Yusuf and Zuleikha by Kamaluddin Behzad
4-2- Features of the image of Yusuf of Zuleikha
4-2-1- Insight feature of the image
4-2-2- Thematic feature of the painting
4-2-3- Structural feature of the painting
A) Plan and proportions in the painting
B) Color in the painting
4-3- The discourse of Yusuf Az Zulikha’s abstract painting
4-3-1- The tension system of the painting
A) Conception and expansion of the elements in the painting and its relationship with space Tension
b) Viewing angle and orientation of the elements in the image and its relationship with the tension space
c) The presence factor (figures) in the image and its relationship with the tension system
d) The function of color in the tension space of the image
4-3-2- The value system of the image
A) The function of color in the value system of the image
4-4- Schema of the tension process Negara
4-5- Reviewing the discourse process (tension and value) of Negara based on Garmas semantic square
Chapter five: Practical project
5-1- How to carry out a practical project
Conclusion and>
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