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Examining the story elements in the Masnavi "Jamshid and the Sun" by Salman Savji

Number of pages: 117 File Format: word File Code: 31575
Year: 2014 University Degree: Master's degree Category: Literature - Persian Language
Tags/Keywords: Do-it-yourself - Jamshid and the sun - Masnavi Jamshid - poetry - Prop - Salman Savji - story - story - Story elements - Story elements - Story writing
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  • Summary of Examining the story elements in the Masnavi "Jamshid and the Sun" by Salman Savji

    Dissertation for Master's Degree

    Field: Persian Language and Literature

    Abstract

    The history of fiction writing in Iran has a long history. An art that is very valuable and great and has a significant and deep social impact. Fiction literature refers to works of narrative prose that have an imaginative nature and are often referred to as stories, stories, novels and related types. The story is a retelling of events, according to the sequence of time and story, each story is told whether it is poetry or prose. In the story, the sequence of events is real and historical or fictitious, but generally, the foundation of stories is based on unreal and extraordinary events. In this research, an attempt was made to examine the elements of story and fiction in the masnavi "Jamshid and the Sun" by Salman Savji, one of the great poets, especially one of the distinguished poets of Persian literature, and the characters of this work based on the prop's self-work. The hero's risky journeys are seen in it. The story of this masnavi cannot be accurately classified into one type of story, but it is a mixture of a fairy tale and a love story, and from the types of characters based on the prop theory, the searcher (hero) is sought after - evil, and from the various functions of the characters, lack of evil, problem solving can be understood and identified in this work.

    Keywords: story, story, Salman Savji, Masnavi Jamshid and Khurshid, Prop, Self-care. 

     

    Chapter One

    Introduction and Generalities

     

     

     

    Introduction

    References to each work It is said to be a magnificent literature in which the factor of imagination is involved, and it also has a meaningful connection with the real world. In other words, the collection of artistic manifestations of each nation that is expressed in words is considered the literature of that nation or nation, and the reality of the literature of any nation necessarily depends on the fabric of the past and present of that nation, for this reason, it is largely dedicated to the culture that created it. Therefore, literature reflects the thoughts, opinions and ethnic issues of its creator.

    Fictional literature includes stories, romances, novels, short stories and related works. To the works in which the emphasis is on extraordinary events more than the development and development of people and characters. In other words, they have a simple texture and the events are not cause and effect, they tell a story, and a story is a narrative in prose of recreating events about people in a way that causes anticipation and intimacy, and its distinctive feature is that it can make us want to know what happens next. There are events that have happened or will happen to people, animals and anything else. Narration is not only in stories and tales, but also in myths, legends, moral tales, tragedies, comedies, epics, history, picture books, news, paintings, etc. is present.

    The king of poetry Khwaja Jamal al-Din Salman bin Khwaja Aladaim Muhammad Sawji, known as "Salman Sawji", is one of the great poets, especially among the prominent poets of Persian literature, and one of his most important works, which is in the narrative genre, is his Masnavi "Jamshid and the Sun".

    The elements of story and story in this prose review and the degree of closeness of this work to stories and tales has been measured and also the characters of this work have been analyzed based on Propp's self-work theory. After analyzing 100 stories from Russian stories, Propp has found 31 autographs. He believes that folk tales and even romances can be analyzed with this model.

    And we used only elements of Parian Prap's fairy tale in this research.

    The compilation of this thesis in 5 chapters is as follows:

    The first chapter is entitled the generalities of the research, the second chapter in which the theoretical foundations of the research are explained and described. The third chapter is the description of the life and works of Salman Savji, his style and thought, which is mostly analyzed about Masnavi Jamshid and Khurshid. The fourth chapter examines the elements of stories and stories in Masnavi Jamshid and Khursheed Salman Savji. The fifth chapter, which forms the conclusion, proposal and sources.

    The main research texts in this thesis are: Salman Savji's book of generalizations based on the theory of "Fairy Tales' Theory" by Vladimir Propp has been reviewed.

    1-1. Statement of the problem

    Malk al-Shaara Khwaja Jamal al-Din Salman bin Khwaja Ala al-Din Muhammad Sawaji, known as "Salman Sawaji", is one of the great poets, especially one of the distinguished poets of Persian literature, who was born in the early eighth century around the year (709 AH) in the city of Sawah. Kiyalat Divan, Faraqnameh, Badi al-Asrar poem and Masnavi Jamshid and Khurshid are among his works. Salman is also masterful and capable in reciting Masnavi, and his two works in this field, "Farewell" and "Jamshid and the Sun" are proof of this claim. He wanted to introduce a new design in Masnavi Goya, and in Masnavi "Jamshid and Khurshid" he has achieved his goal to some extent by introducing the formats of ghazal, verse, quatrain and couplets in this Masnavi and side by side. Salman composed this Masnavi in ??Jumadi al-Thani year (763 AH) under the name of Owais Ilkani (776-757 AH); As the poet himself mentions this at the end of the story and says: rtl;">May the oath of his reign last forever

     

     

     

    This Rabi is the meaning of Jamadi al-Thani
     

     

     

     

    Sane Salas, Setin, and Sabamae Tamam

    (Salman, 1389: 75 )

    In the last few decades, when narratology has been proposed as a science, narratologists have tried have achieved specific narrative patterns so that they can analyze all narrative structures, whether old stories or modern novels, with these patterns. Many efforts have been made by researchers in this field as well, but Vladimir Propp's work has been more fruitful than others and his theory, despite its shortcomings, has brought about a huge revolution in the science of narratology. In the book "Fairy Tales", Propp has described the stories based on their components and the mutual relationships of these components. After analyzing 100 stories from Russian stories, Propp has found 31 examples.

    He believes that folk tales and even romances can be analyzed with this pattern. In this research, an attempt is made to analyze the Masnavi of Jamshid and Khurshid based on the elements of the story and the prop pattern of fairy tales.

    1-2. Research questions

    1- What elements of the story can be seen in the structure of this work?

    2- Which category of stories does this work belong to?

    3- Which of the types of characters in the stories and their functions can be identified in this work based on Propp's theory?

    1-3. Research Hypotheses

    1- One of the most important elements of the story in Masnavi Jamshid and Khursheed is the extraordinary events, the stability of the characters and the risky journeys of the hero.

    2- The story of this Masnavi cannot be accurately classified into one type of story, but rather a mixture of fairy tales and love stories. is

  • Contents & References of Examining the story elements in the Masnavi "Jamshid and the Sun" by Salman Savji

    List:

    Chapter One: Introduction and Generalities

    Introduction. 3

    1-1 statement of the problem. 4

    1-2 research questions. 5

    1-3 research hypotheses. 5

    1-4 The importance and necessity of research. 6

    1-5 research background. 6

    1-6 research objectives. 7

    1-7 definitions of keywords. 7

    1-8 limits and scope of research. 8

    1-9. Research method. 8

    Chapter Two: Theoretical Foundation

    2-1 Fictional literature. 10

    2-1-1 Types of fiction. 11

    2-1-1-1 story. 15

    2-1-1-2 stories. 17

    2-1-2 difference between short story and long story. 18

    2-2 elements of the story. 19

    2-2-1 design (Pierang) 19

    2-2-1-1 types of design (Pierang) 20

    2-2-1-1-1 Pierang closed. 21

    2-2-1-1-2 open plot 21

    2-2-1-2 structural elements of the plot (plot) 22

    2-2-2 characters. 27

    2-2-2-1 Types of characterization methods. 29

    2-2-2-2 types of personality in terms of transformability (static / dynamic) 30

    2-2-2-3 types of personality in terms of degree of perfection (simple / comprehensive) 31

    2-2-2-4 types of personality in terms of application 33

    2-2-3 dialogue. 35

    2-2-3-1 types of conversation. 36

    2-2-3-1-1 two-way conversation. 36

    2-2-3-1-2 monologue (internal) 36

    2-2-4 tone. 38

    2-2-4-1 types of speaking tone of characters 40

    2-2-5 angle of view (narrative angle) 40

    2-2-5-1 types of angle of view. 42

    2-2-6 description. 46

    2-2-6-1 Description of the scene and staging. 47

    2-2-6-1-1 stage duties. 48

    2-2-6-1-2 stage components. 48

    2-2-6-2 character description 49

    2-3 story elements. 50

    2-3-1 Narrator. 51

    2-3-2 Characters in stories 51

    2-3-3 Time and place in stories. 52

    2-4 Vladimir Propp and the elements of autocracy. 53

    The third chapter: Biography of the poet, works and style

    3- Biography of the poet, Atharusbek. 58

    3-1 Biography of Salman Savji. 58

    3-2 works. 63

    3-3 style and thought. 67

    3-4 Leaders and Followers. 69

    Chapter 4: Review and analysis of Jamshid and Khurshid Masnav

    4 Review and analysis of Jamshid and Khurshid Masnav. 75

    4-1 Summary of the work "Jamshidukhorshid". 75

    4-2 Examining the elements of the story. 84

    4-2-1 Design (Pirang) 84

    4-2-1-1 structural elements of the design. 84

    4-2-1-1-1 Starting and tying. 84

    4-2-1-1-2 crisis. 85

    4-2-1-1-3 conflict and instability. 85

    4-2-1-1-4 extension. 88

    4-2-1-1-5 Suspense (Huluola) 88

    4-2-1-1-6 Climax. 89

    4-2-1-1-7 untying. 90

    4-2-2 Characterization. 90

    4-2-2-1 personality in terms of nature (human and non-human) 90

    4-2-2-2 in terms of transformability (static / dynamic) 91

    4-2-2-3 in terms of the level of personality perfection (simple / comprehensive) 92

    4-2-2-4 in terms of application 93

    4-2-2-5 in terms of story role. 93

    4-2-2-5-1 main character. 93

    4-2-2-5-2 opposite character. 94

    4-2-2-5-3 parallel character 95

    4-2-2-5-4 background character. 97

    4-2-2-5-5 opposite character. 98

    4-2-3 dialogue. 98

    4-2-3-1 two-way conversation. 98

    4-2-3-2 monologue dialogue (internal) 101

    4-2-3-3 monologue dialogue (performance) 102

    4-2-4 tone. 102

    4-2-4-1 speech tone of characters 103

    4-2-5 angle of view. 107

    4-2-6 description. 107

    4-2-6-1 Description of staging. 107

    4-2-6-2 Characterization description. 109

    4-3 Examining the elements of the story. 112

    4-3-1 Beginning and end of the story. 112

    4-3-2 characters in the story. 113

    4-3-3 Time and place in the story. 114

    4-3-4 Factors of breaking the habit in the story. 114

    4-3-5 Investigation of characters based on Propp's theory. 118

    4-3-5-1 initial situation (determining time and place) 118

    4-3-5-2 family composition 119

    4-3-5-3 prosperity and well-being. 120

    4-3-5-4 future hero 121

    4-3-5-5 Prohibition and warning 121

    4-3-5-6 Violation and breaking the prohibition. 122

    4-3-5-7 The first appearance of evil 122

    4-3-5-8 Inquiry and information. 123

    4-3-5-9 wicked deceptions 124

    4-3-5-10 preliminary calamities. 125

    4-3-5-11 Hero's reaction. 125

    4-3-5-12 evil. 126

    4-3-5-13 The disappearance of the wicked face 126

    4-3-5-14 moments126

    4-3-5-13 Disappearance of the wicked 126

    4-3-5-14 relevant moment. 127

    4-3-5-15 phenomena associated with the hero. 128

    4-3-5-16 The goal and destination of the hero. 130

    4-3-5-17 How to enter the story. 130

    4-3-5-18 Preparations for transferring the magical agent. 130

    4-3-5-19 preparation. 131

    4-3-5-20 The appearance of the princess in the story. 132

    4-3-5-21 Victory over the wicked 132

    4-3-5-22. shapeshifting 132

    4-3-5-23 wedding. 133

    4-3-6 elements that help characters and their self-work 134

    4-4 Self-work according to Propp theory. 135

    Chapter Five: Conclusion

    5 Conclusion. 146

    5-1 suggestion. 146

    List of sources. 147

    English abstract. 153

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    Alot, Miriam (1368). Novels narrated by novelists, translated by Ali Mohammad Haqshanas, Tehran: Center.

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    Irani, Nasser (1364). Story, definitions, tools, elements. Tehran: Children and Adolescent Intellectual Development Center.

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