A study of innovative works in the masnavis of Khajawi Kermani

Number of pages: 332 File Format: word File Code: 31551
Year: 2011 University Degree: Master's degree Category: Literature - Persian Language
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  • Summary of A study of innovative works in the masnavis of Khajawi Kermani

    Dissertation for M.A

    Summary

    Khajo the great poet Kermani is one of the first to write khumse-sarai, and if we want to be more precise, he is the third person who did this after Nizami and Amir Khosro Dehlavi, Khajo wrote his masnavis with a special mastery. and he used many innovative techniques in his masnavis, and the frequency of these techniques is high in Khajo's masnavis, which made Khajo's poems look more beautiful, and besides the very beautiful stories, he made Khajo's masnavis extremely beautiful and readable. The degree of application and the extent of the use of innovative techniques in Khajawi's masnavis is great.

    Khajawi, in addition to having a complete mastery of all literary arrays, also excelled in sciences such as astronomy and was able to use this science well in industries such as antiquity and the material of history and Ihem and doubled the beauty of his poems. The poems that made the name of Khajo famous not only in Kerman but also in Iran and if not exaggeration in the world.

    Key words

    Khajovi of Kermani, Masnavis, creative arts, verbal arts, spiritual arts

    Chapter First

    Introduction (Statement of the problem)

    Introduction

    In the name of Naqshband Pang Ya Khak

    One ??of the great masters of Kerman and even Iran, Malek Al-Fazla and Afzal al-Shaara, Nakhleband Diwan, the knowledge of Afzaluddin Khajovi Kermani with all his greatness and greatness, and great poets like Hafez have benefited from his knowledge and welcomed his poems, and even Hafez said the following about Khajoo in a poem attributed to him: rtl;">Nevertheless, Khajoo has not received much attention and has been disliked, and perhaps one of the reasons for this problem is Khajoo's position in time, which is right between the two great and renowned poets of Shiraz, namely Sheikh Ajl Saadi and Hazrat Hafez, which has made Khajoo appear weaker, and the other issue is related to his Khamsa writing. As we know, after Nizami, the first person who worked on Khumsa is Amir Khosro Dehlavi, and after him Khaju did this, and maybe some people think that Khajo's Khumsa is an imitation of Nizami's Khumsa, and this has also caused Khajo to be in the shadow of Nizami in Khumsa writing, and these extremely beautiful and valuable works appear pale under the control of Nizami's Khumsa. It is true that Khwajo had an opinion on Nizami's Khamsa and read it and learned and inspired from it, which is a natural thing, and Khwajo himself mentioned Nizami with respect in several places. style="direction: rtl;">The reservoir of your wise heart is  Also, Humay and Humayun, which is based on Iskandarnameh, follows a completely different topic. Except for his two masnavis, one is Roza al-Anwar, which is written in the light weight and style of Makhzan al-Asrar, and the other is Gol and Nowruz, which is in the weight and style of Khosrow and Shirin. Other Masnaviats of Khwajo narrates other things.

    In any case, because of these issues, the great Khajovi does not have much popularity among the people as he really deserves.

    Therefore, my humble servant, due to his national pride and great interest in Khajovi, after consulting with my mentor Mr. Dr. Esfandiarpour, we decided to make the topic of our thesis as innovative crafts in I will put the Masnavis of Khajovi Kermani so that those who read the Masnavis of Khajovi will understand the beauty of these Masnavis due to the use of these beautiful crafts in them and enjoy reading them more. Also, if those who encounter these crafts in the Masnavis of Khajovi have any doubts, I can help them and add to their experiences as much as I can.

    Nakhleband Nakhlehai Srabland

    Abul-Ata Kamal al-Din Mahmoud bin Ali bin Mahmood nicknamed Khaju is one of the great and famous poets of the 8th century, whose words have attracted the attention of great poets and literature since the beginning of his poetry. Daulatshah Samarkandi called him "Malek al-Fazla" and writes that: "He is one of the nobles of Kerman, and he is blessed and eloquent, and his words are considered unique in eloquence and eloquence by the virtuous and elders, and they call him Nakhlband of poets". He calls him "Khwajo Kermani" and writes that: From most of the authentic books, it seems so humble that his father was one of the nobles of Kerman and named his son Afzaluddin, but because of his kindness and kindness, his parents called him Khajo. Qamari opened his eyes to the world in Kerman.

    Surname

    About Khajo's surname, Professor Saeed Nafis writes, "In old Persian languages, "Wow" was a diminutive sign at the end of words, and at the end of personal names, it is used in the position of kindness and kindness, and this point is still common in Fars and Kerman, and it is even used in the position of close and obvious reference. In this case, it is clear that the word "Khwajo" is a diminutive form of the word "Khwaja" and perhaps, as some have guessed, this name was given to him in his childhood by the fans of Khajo, and he was known by this name among his family and acquaintances, and after he began to be a poet, he adopted this surname in recognition of his childhood."

    Khwajo's travels

    Khwajo has been in the poet's mind since the age of wisdom, he says in Al-Anwar Rouzah that he had a dream when he was a child and in the dream he was promised that he would become a great orator and in pursuit of this wish, after acquiring the common sciences of that time, he traveled with all his enthusiasm. Khajo's journeys and travels and his far and wide travels were mainly for two reasons, firstly, to acquire knowledge and information of his time and to use the records of the scholars of that era who lived scattered in different cities, and it has been customary for seekers of knowledge to travel in order to gain grace and accumulate knowledge. Usually, in those days, the court of powerful kings was more interested in poets like Khajou who would provide them materially and guarantee the publication of their works and thoughts so that they could create their works safely.

    if we want to be more accurate, he is their person who has done this job after nzami and amir khosrou dehlavi.

    khajou has composed his Mathnavi with a special mastery, used rhetorical so well, and frequency of these arts are seen in khajou's Mathnavis, they make khajou's poems more beautiful.

    nice stories cause Khajou's Mathnavis to be more readable and attractive.

  • Contents & References of A study of innovative works in the masnavis of Khajawi Kermani

    List:

    Preface..1 Chapter One: Generalities

    1-1) Income..4

    1-2) Statement of the problem.

    1-4) Assumptions.5

    Chapter Two: Background and Research Literature

    1-2) History.7

    2-2) Arab Literature.7

    Chapter Three: Research Method.50

    Chapter Four: Findings.51

    4-1) Income.52

    4-2) Analysis of Hafez's innovative industries.53

    3-4) Table and diagram. 225

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A study of innovative works in the masnavis of Khajawi Kermani