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Investigation of epic elements in poems of Khorasani style

Number of pages: 230 File Format: word File Code: 31533
Year: 2014 University Degree: Master's degree Category: Literature - Persian Language
Tags/Keywords: epic - Epic elements - Epic tone - Epic vocabulary - Khorasani style - Mythological characters - Poems - poets
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  • Summary of Investigation of epic elements in poems of Khorasani style

    Dissertation for Master Degree (M.A)

    Tension: Persian Language and Literature

    Examination of Epic Elements in Khorasani Style Poems

    Abstract

    Epic is a fictional story of a nation's history with heroes. And extraordinary events are mixed in and it is full of unnatural events. The fourth and fifth centuries are the peak of epic thoughts in the field of Persian language and literature. This deep theme can be found abundantly in the poetry of the poets of this period.

    In this thesis, the researcher has tried to carefully analyze and examine the epic elements in the poetry of the poets of the Khorasani style.

    The most important achievement of this research is that the poets of this period express their praises to Epic characters and words and war tools have been used a lot.

    Key words: epic, elements, Khorasani style, poets, epic tone

    Introduction

    Epic is one of the literary types and in narrative terms, it is a story of the fictional history of a nation that is mixed with heroic acts and extraordinary events. Many unnatural and unusual events can be seen in the epic, and these are the events that can show the great ideals and aspirations of a nation in the fields of religion, morality, and social system, and express the general ideas of that nation about the main human issues such as creation, life, death, etc.

    Khorasani style poets have used epic elements in their poems, which are often praises of kings. Most of the epic elements in the poems Epic characters, words and tools are used. It is quite difficult to analyze and analyze the presence of these elements in the poetry of all poets The poems of Rudaki, Elmiri, Farkhi Sistani and Manouchehri Damghani are the sources used by the author to obtain the evidence; Diwan Rudaki is edited by Saeed Nafisi and Divans of Manouchehri Damghani and Elmiri are the efforts of Dr. Mohammad Debir Siyaghi. Abbreviations are the first letters of the poets' family names, meaning Azf: Farrokhi, R: Rudaki, A: Ansari, M: Manochehri. rtl;">Chapter One: Epic and Khorasani Style

    In this chapter, the definition of epic, types of epic and its history, as well as the Khorasani style and explanation about the key poets of this style have been discussed.

    Chapter Two: Mythological, epic, religious and historical characters

    In this chapter, the analysis and investigation of epic characters and Mythology, religion and history have been discussed.

    Chapter three: War tools and epic words in Khorasani style poems

    In this chapter, epic elements such as war tools and epic words have been examined and analyzed.

    Chapter four: Creatures and epic tone in Khorasani style poems

    This chapter examines the epic creatures that appear in the poetry of the poets of this period, and a part is also devoted to the epic tone in the verses of this period.

    Chapter Five: Conclusion and Proposal

    In this chapter, a general conclusion of what has been analyzed and investigated is given and the author's research proposal is also mentioned.

    Research background

    There is no specific book written about this topic, but there are scattered materials that suffice to mention a few:

    Razmjo, Hossein, 1381, The Realm of Iranian Epic Literature, Research Institute of Human Sciences, Tehran.

    In this book, epic poetry is considered one of the most interesting and valuable types of spoken word. Because it is a ritual in which the image of greatness and moral adherence of nations can be seen.

    Shamisa, Siros, 1374, poetry stylistics, Ferdous Publications, Tehran.

    In this book, the author has mentioned the two main contents of Khorasani style poetry - joy and epic.

    Safa, Zabihullah, 1363, epic writing in Iran, Amir Kabir, Tehran.

    The author considers the end of the Samanid era as the period of the perfection of epic traditions. He writes: "Persian poetry in the Samanid era in Khorasan and other parts of eastern Iran progressed" (Safa, 1363: 19).

     

    Research Objectives

    Scientific Objectives: By doing this research, the researcher intends to determine that the poets of Khorasani style have used an epic theme in their poems.

    Practical objectives: This research can be used in the fields of stylistics and epic literature.

    The working method in this research is analytical. In this way, after studying the works of Khorasani's poetry and style index, the researcher has taken a sample of the items that are related to the subject, then classified the samples according to the topic, then he wrote his thesis by analyzing the samples and concluded at the end.

     

     

     

     

    The first chapter

    Khorasani epic and style

     

     

     

     

     

    1-1- Definition of epic

    Epic is from Hamas, "words of greyhound and means bravery, bravery, bravery and intensity and fortitude in the matter of religion and war, sharpness in work and bravery, bravery and bravery" (Dehkhoda, 1328, vol. 6: 8074) And in the term "an epic poem is a story and narrative with a heroic background and a mythological, ethnic and national color in which events outside the limits of the habit take place or deal with historical events that are not created by the poet's mind in any way" (Rastegar Fasaei, 1380: 337).

    and in the type of epic literature, "the events and acts of bravery and masculinity of the heroes and warriors of a nation or religion and cult are reported and described, who strive for the independence of the country or the formation of the government and the preservation of the religion and religion" (Razmjo, 2001: 23).

    1-2- The history of the epic

     

    A group of researchers consider epic poetry to be the result and sequence of lyrical poetry and believe that most epic works are composed of the compositions that previous poets wrote for heroes and generals over time. According to Razmjoo in the book The Realm of Epic Literature in Iran, "The Avesta book is the oldest text in which parts of the national and epic stories of Iran are given (especially in Nesk Yashta).

  • Contents & References of Investigation of epic elements in poems of Khorasani style

    List:

    Abstract .. 1

    Introduction .. 2

    Research background .. 3

    Research objectives .. 4

    Working method .. 4

    Chapter 1: Epic and Khorasani style

    1-1- Definition of epic .. 6

    1-2- The history of the epic. 9

    1-5- Mythology.. 10

    1-6- Khorasani style.. 11

    1-7- Key poets of Khorasani style odes. 12

    1-7-1- Rudaki .. 12

    1-7-2- Elementi .. 13

    1-7-3- Farrokhi Sistani .. 14

    1-7-4- Manouchehri Damghani .. 15

    Chapter Two: mythological, epic, religious and History in Khorasani style poems 1-2-18.

    2-2-4- Jamshid .. 24

    2-2-5- Khaghan .. 26

    2-2-6- Dahhak .. 27

    2-2-7- Fereydoun .. 28

    2-2-8- Kikhosro .. 30

    2-2-9- Kiqbad .. 32

    2-2-10-Kyomarth .. 33

    2-2-11-Ghstasab .. 34

    2-2-12- Manouchehr .. 35

    2-2-13-Nozer .. 35

    2-2-14-Hoshang .. 36

    2-3-Pahlavanan .. 37

    2-3-1-Arash .. 37

    2-3-2- Bijan.. 37

    2-3-3-Rostam..38

    2-3-4- Zal .. 42

    2-3-5- Sam .. 43

    2-3-6- Sohrab .. 45

    2-3-7- Tos .. 46

    2-3-8- Gio .. 46

    2-3-9- Nariman .. 47

    2-4- Religious figures.. 47

    2-4-1- Dawood .. 48

    2-4-2- Suleiman .. 48

    2-4-3- Ali (AS) and his nickname .. 50

    2-4-4- Moses .. 53

    2-5- Historical figures.. 56

    2-5-1- Ardeshir .. 56

    2-5-2- Iskandar .. 58

    2-5-3- Anushirvan .. 62

    2-5-4- Bahram Gore .. 64

    2-5-5- Dara .. 65

    2-5-6- Qabad .. 66

    Chapter 3: War tools and epic vocabulary

    3-1-Revenue.. 69

    3-2-War tools.. 70

    3-2-1-Bergstvan.. 70

    3-2-2-Arrows.. 71

    3-2-3-Arrows.. 73

    3-2-4- Razor... 79

    3-2-5-Joshan .. 87

    3-2-6- Hassam .. 90

    3-2-7- Khadang .. 91

    3-2-8- Khaftan .. 93

    3-2-9- Dagger .. 94

    3-2-10- Shield .. 97

    3-2-11- Zulfiqar .. 98

    3-2-12- Spear .. 99

    3-2-13- Armor .. 100

    3-2-14- Sinan .. 102

    3-2-15- Sword .. 105

    3-2-16- Bow .. 110

    3-2-17- Mace .. 116

    3-2-18- Forgiveness .. 119

    3-2-19- Spear .. 121

    3-3- Epic vocabulary .. 125

    3-3-1- Officer .. 125

    3-3-2- Alborz .. 128

    3-3-3- Bad Afrah .. 129

    3-3-4- Bazm.. 130

    3-3-5- Pikar .. 135

    3-3-6- Taj .. 137

    3-3-7- Anger .. 141

    3-3-8- Combat .. 143

    3-3-9- Army .. 148

    3-3-10- Fur .. 151

    3-3-11- Campaign .. 156

    3-3-12- Kos .. 157

    3-3-13- Round .. 159

    3-3-14- Gu .. 159

    3-3-15- Army .. 159

    3-3-16- Battle .. 167

    3-3-17- Nakhjir .. 168

    3-3-18- Hija .. 170

    Chapter Four: Creatures and epic tone

    4-1-Income.. 173

    4-2-Epic and mythological creatures. 173

    4-2-A- Dragon .. 173

    4-2-2- Horse .. 175

    4-2-3- Peel .. 180

    4-2-4- Demon .. 185

    4-2-5- Rakhesh .. 188

    4-2-6- Simorgh .. 189

    4-2-7- Shabdiz .. 191

    4-2-8- Lion .. 192

    4-2-9- Anga .. 192

    4-2-10-Ghul.. 200

    4-3- Epic tone .. 201

    Chapter Five: Conclusion and Proposal

    5-1-Conclusion..210

    5-2-Suggestion.. 210

    List of sources and sources..211

    English abstract.

    Source:

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