Investigating the presence of non-human beings in Ferdowsi's Shahnameh

Number of pages: 73 File Format: word File Code: 31527
Year: 2014 University Degree: Master's degree Category: Literature - Persian Language
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    Master's Thesis in Persian Language and Literature (M.A)

    Abstract:

    The examination of the role of animals in the Shahnameh and their place in the stories is so exciting that the reader of the Shahnameh learns from its study that some of these creatures and animals in the process National epics have a fundamental function and role, and from their relationship with the warriors, it can be understood that Ferdowsi did not ignore the myths of ancient nations and past peoples in which humans had a connection and solidarity with animals and birds, and he depicted the love and affection in living beings as well. In this research, we intend to examine the presence of most of the living beings that have played and play a fundamental role in the Shahnameh.

    Keywords: living beings, non-human living beings, Shahnameh, Ferdowsi

    Chapter One

    research generalities

    Introduction

    Due to the power of reasoning granted to him, man realizes that one day he will die against his will. Realizing this separation from his loved ones causes some kind of anxiety in him. Over the centuries, man has tried to overcome this separation by loving God, drowning in luxury, creating art and loving his fellow man in various ways and according to his situation. For early humans who lived in caves, worshiping animals and other living things and communicating with them was the best way to overcome separation [1]. Looking at the first periods, we find out that primitive man has a strange, but clear perception of nature and the world; In his mythological vision, natural phenomena have intelligence and will, and therefore they contribute and are involved in the fate of mankind. This belief causes the connection of humans with animals and other living things, the status and place of animals and living things was very valuable and noble in his eyes, so he sought benefit from them not only in material life, but also in spiritual life, he knew the secrets of immortality and nature.[2] In the realm of creation, animals are second in value after humans, and they are valuable not only in Iranian myths, but also in myths of other countries. Perhaps the root of their value can be traced back to the childhood of the human race, which needed them for the daily needs of life. In Avesta, due to the influence of culture and religious and mythological beliefs before Zoroastrianism, animals have been praised and among the animals praised in Avesta, birds have a special place. [3]

    John Ferdowsi is full of love and affection He has depicted the talent of Mehrarzi not only in his beloved fighters, but also in animals and some living things.[4] In the Shahnameh, which is a reflection of the myths, the life of primitive and ancient Iranian societies, animals and other living things are of great importance and are out of their normal characteristics and status.

    By studying the Shahnameh, we find out that Ferdowsi, along with famous warriors such as Fereydun, Zal, Rostam and Siavash, and animals such as Gaubarmayeh, Simorgh (as a bird), Rakhsh and Behzad Arode Their connection in the course of the story is so strong that mentioning the name of each of these warriors brings to mind the animal associated with them. The reason for this should be sought in the life of primitive societies; A time when animals and other living things play an essential role in their lives and are connected with them. In the Shahnameh, which reflects the myths and the life of primitive societies, Ferdowsi did not ignore the principle of the oneness of humans with animals in his childhood. In his opinion, animals have a special place and appear side by side with heroes in the story and are related to them. is also mentioned. These animals are an integral part of the stories of the Shahnameh. Therefore, according to the influence of these animals in the stories, characters, and lives of the heroes of the Shahnameh, they have been investigated. These animals include horses, elephants, zebras, snakes, which are real, and Simorgh and the like, which are mythological, as well as demons, white demons, dragons, etc. That seems like an illusion.(Ferdoosi, 1374: 56)

    Also, the animals that are mentioned as symbols, including the lion, which is a symbol of courage, in the story of Rostam and Esfandiar:

    This is how he answered Esfandiar, who is known as a lion with a bare heart (Ferdoosi, 1374: 57)

    Or a creature like a demon in the Shahnameh, which seems to be an illusion, is mentioned in Rostam and Esfandiar's story. Dragon, which in Farsi has other forms such as "dragon", "dragon", "dragon". It is a huge snake with a wide open mouth, which the Arabs call a snake. This wonderful Marsan animal is the guardian of treasures, which is on treasures in shops, tents, at the source of water, also the dragon can be a secret code. which prevent the conventional harmony and connection of unconsciousness (Rastegar Fasaei, 1379, p. 187).

    1-3 The importance and necessity of conducting research

    The Iranian speaker Ferdowsi Toosi, apart from keeping alive the name of Iran and Iranians, plays a great and undeniable role in remembering the ancient rituals of this border and land. has had The Arabs of the Jahili era viewed hunting more as a way of meeting daily needs than as entertainment, and after defeating the Sassanians, we see the introduction of elements such as the use of "yuz" and "baz" in the Arabic poetry of Nakhjirgani, which were not very common among the Bedouins before Islam. Although Shahnameh is known as a mythological, heroic and historical work, it contains important information about the natural environment of ancient Iran. The names of animals have been mentioned many times in the words of Ferdowsi and the clauses of the Shahnameh;

    However, no research has been done regarding the use of animals in Ferdowsi's Shahnameh, so it is important to investigate the issue.

    1-4 aspects of novelty and innovation in research:

    Given that so far no research has been done on the presence of human beings in the Shahnameh and their role and influence, so this topic is new and has innovation.

    1-5 specific objectives

    Knowing the place of the use of non-human beings in Ferdowsi's Shahnameh

    Symbolic examination of the animals and their prominent importance Their presence in the Shahnameh

    1-6 Research questions:

    1- What other animals are present in the Shahnameh?

    2- What is the presence and influence of each?

    3- Which animals Ahrimani, which nation is non-demon?

    1-7 Research hypotheses:

    1- Apart from humans, other creatures are also present in the Shahnameh.

    2- Non-human creatures in Ferdowsi's Shahnameh can be evaluated in positive and negative groups. Kurdish. 3- Some creatures are demonic and some are non-demonic. Ferdowsi Tusi, an epic poem written in Bahrmatkarb Mothman Mahzhufu contains about 50,000 verses and is one of the largest and most prominent epics of the world's famous writer, which took thirty years to compose. The content of this literary masterpiece is the myths, legends and history of Iran from the beginning to the conquest of Iran by the Arabs in the 7th century AD, which are summed up in the four dynasties of the kingdoms of the Pishdadians, Kayans, Ashkanians and Sassanians, and it is divided into three parts: mythological (from the reign of Kyo to the death of the Fereydon kingdom), heroic (from the uprising of Kaveh Ahangar to the death of Rostam) and historical (from the Bahmanu kingdom to the rise of Alexander to the conquest of Iran by the Arabs).

  • Contents & References of Investigating the presence of non-human beings in Ferdowsi's Shahnameh

    List:

    Abstract 1

    Chapter One: Research Overview

    1-1 Introduction. 3

    1-2 state the problem. 4

    1-3 The importance and necessity of research. 5

    1-4 aspects of newness and innovation of research. 5. 1-5 research objectives. 5. 1-6 research questions. 6. 1-7 research hypotheses. 6

    1-8 Definitions of variables 6

    1-9 Research methodology 7

    1-10 Full description of data collection methods and tools 7

    1-11 Statistical population, sampling method and sample size 7

    1-12 Data analysis methods and tools 7

    Chapter two: brief about Shahnameh

    2-1 Analytical sequence in Shahnameh 9

    2-1-1 Title of Shahnameh. 9

    2-1-2 Shahnameh sections 9

    2-1-3 sources of Shahnameh. 10

    2-2 Compilation of Shahnameh. 12

    2-2-1 Praise of Sultan Mahmud 14

    2-2-2 Background of Shahnameh stories. 14

    2-3 content and segmentation. 15

    2-3-1 mythological section 16

    2-3-2 heroic section. 18

    2-3-3 historical section. 21

    2-4 Influence in Persian literature and world literature 23

    2-5 Returning Shahnameh to other languages ??24

    2-6 Arabic words in Shahnameh. 26

    2-7th millennium Shahnameh in UNESCO. 26

    2-8 films based on Shahnameh. 28

    2-9 Shahnameh Research Institute. 28

    Chapter Three: Living Beings in Shahnameh

    3-1 Water 31

    3-2 Sun. 31

    3-2-1 Khurshid and Simorgh. 32

    3-3 Mythological elements 33

    3-3-1 Mountain and tree 33

    3-3-2 Mount Alborz 34

    3-3-3 Tree and trail. 34

    3-3-4 connection of mountain and tree with home. 35

    3-4 Khosravani trees of Shahnameh. 36

    3-4-1 Rituals associated with trees. 36

    3-5 Some of the trees in the Shahnameh. 37

    3-6 Burning trees. 38

    Chapter 4: Animals in the Shahnameh

    4-1 Introduction. 40

    4-2 Simorgh 40

    4-2-1 Simorgh in Zoroastrian religious writings. 41

    4-2-2 A bird with human characteristics. 42

    4-2-2 Simorgh's face in Shahnameh 43

    4-2-3 Simorgh's nest in Zoroastrian texts. 43

    4-3-4 Simorgh nest in epic texts. 44

    4-3-5 Simorgh nest in other texts 44

    4-3 Simorgh in connection with the seal ritual 45

    4-3-1 Simorgh and eagle 45

    4-4 Seal 46

    4-5 Totem and Totism. 46

    4-6 types of totems in Shahnameh 50

    4-6-1 Names 50

    4-6-1-1 Cow 50

    4-6-1-2 Horse 53

    4-6-1-3 Darfash 55

    4-6-1-4 Lion 56

    4-6-1-5 dragon.58

    4-6-1-6 boar.62

    4-6-1-7 wolf.62

    4-6-1-8 elephant.64

    4-6-1-9 tiger.65

    4-6-1-10 leopard. 66

    4-6-1-11 Deer. 67

    4-6-1-12 Ghoram. 68

    4-7 Dragon Symbolism in Ferdowsi's Shahnameh. 69

    4-8 Relationship of Animals with Shahnameh Warriors. 74

    4-8-1 Horse and Rostam. 74

    4-8-2 Shebarang Behzad and Siavash.77

    4-8-3 Zal and Simorgh.79

    Chapter Five: Conclusion

    5-1 Conclusion. 81

    Resources. 84

    Latin abstract

     

     

    Source:

     

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Investigating the presence of non-human beings in Ferdowsi's Shahnameh