Examining imaginary images (rhetorical images) in Divan of Vasal Shirazi's poems

Dissertation, to receive a master's degree (M.A) in the field of Persian language and literature

Abstract

Persian poetry and literature have long been mixed and familiar with images of fantasy. Rhetorical figures include simile, metaphor, metaphor, and irony, and for more than a thousand years, Persian language poets have made themselves familiar in their poetry. In all styles of ancient and contemporary poetry, the high frequency of the use of imaginary figures can be observed. In the style of the return period, which follows and imitates the Iraqi and Khorasani poets, the structure of rhetorical figures, whether from the point of view of words and the structure of the appearance of compounds and sentences, or in terms of the meaning and expressive issues of rhetorical figures, from both sides, the poetry of the return period, according to the Iraqi and Khorasani style

Vasal Shirazi, who is one of the poets of the period of return and is considered one of the great poets of the first period of literary return, appeared in the field of rhetorical images, powerful and master of art, and indeed he was the leader of the poets of his time in all areas of imaginary images, especially similes and metaphors. The research on the issues of expression and rhetorical forms of Divan's poems informs us about his abilities in creating and processing all kinds of imaginary forms. The expressive comparison of Wasal Shirazi's poetry with his contemporaries shows his indisputable ability in the art of poetry and the use of rhetorical techniques by him for every researcher. Bayani has opened and presented Wasal's poems in a comprehensive way in different dimensions. This research presents a relatively complete example of rhetorical issues and images of imagination in the poetry of the return period to the reader by providing evidence from Wasal Shirazi's poems. rtl;">The beginning of the speech

A) Statement of the problem

In this thesis, an attempt has been made to provide comprehensive and documented information based on the poems of Wasal, from the basic elements of poetry, i.e. simile, metaphor, permission and irony, and to open each of the elements of imagination and rhetoric in a separate, relatively comprehensive and saturated chapter.

Since in poetry, following and imitating the leaders and elders is a common and natural thing, the poets of the return period, including Wasal, considering the characteristics of the ancient poetry and the style of the previous literary style, i.e. the Iraqi and Khorasani style poets, were able to continue writing poetry in a natural and powerful way, and their sonnets, pieces and poems are relatively beautiful and artistic. leave Of course, some of their poems have been ranked among the best remaining poems in Persian literature, among which we can point to the famous Hatif Esfahani's verse, which was written very mystically, from the heart and from the truth. rtl;">                                                                                                                                                                                                                           (Ibid., 232)

b) The importance and necessity of research

The poetry style of the poets of the return period and the rhetorical characteristics of each of them, compared to the poets of other ancient periods of Persian poetry, have been less researched and researched. As many articles and works have been written about the poets of the Khorasani style and the greats of the Iraqi style, ten of them have not been written about the literary flourishes of the period of literary return. On the other hand, language and literature students, especially at the master's level, are looking for research and writing on topics that have received less attention in order to strengthen their research and writing power and thereby be able to present unknown corners or corners of the culture and literature of this border to the readers of Persian literary works.

It is a return, it is necessary and necessary to investigate and investigate the expressive issues of his poems from various aspects. Qatur Wasal Shirazi's divan, which was published as an appendix to Farhad and Shirin Vahshe Bafghi's work by Tabar Wasal, is a witness to the strength of character, taste and vast knowledge of this poet. Varying the weights of sonnets, poems and pieces, presenting relatively new and attractive combinations, words and interpretations, using pleasant weights and referring to philosophical, historical and religious issues, and ending Farhad and Shirin Bafaghi with at least the same ability of Bafaghi in creating, constructing and processing stories are things that testify to the perfection of Wasal's mastery. Adequate attention to the use of rhetorical figures has made his poetry suitable for rhetorical researches and the author has tried with his limited resources and limited information to organize and write this rhetorical research. c) Research Objectives By studying rhetorical books, we find that by familiarizing himself with this science, the researcher can use rhetorical figures. To find the obvious and hidden in the text of the poem and to know their elements and components. The purpose of the upcoming research, for the reasons that will come, is not to present the theory of evaluation, but its purpose is scientific and practical. It is proportional to the descriptive-analytical research which is in the presence and impact of concepts, qualitative description and content of concepts and analysis and description of the discussed and researched materials. The following goals were intended for writing this treatise:

A: General goals

Analyzing and examining the images of imagination in Wasal Shirazi's poems and recognizing each of the elements and institutions of rhetorical forms and analyzing the examples presented in Wasal Shirazi's poems of each of the types of rhetorical forms.

B: specific goals

1- Analyzing examples of imaginary figures in the poetry of Vasal with an explanation of a considerable number of rhetorical figures in his poetry.

2- Examining the verbal and semantic structure of some examples.

3- How the poet uses imaginary figures in the passages of speech.

4- Determining the relative frequency of use of each of the rhetorical forms.

5- Introducing the capabilities and possible weaknesses of the poetry of the return period from the perspective of the science of expression and analysis and research of examples of rhetorical forms in the poems of Wasal as a relatively complete example of the poetry of the return period.

d) Research background

In the field of imaginary images in the poems of the return period, a comprehensive, specific and distinguished work has not been written so far. What has been written about the poetry style of the return period and sometimes its expressive features, is nothing but the contents contained in the literature history books of this period and the introduction to the divans of the poets of the return period and possibly the articles written about the life, works and poetry of the poets of the return period.