Innovative industries in Bostan Saadi

Dissertation for Master Degree (M-A)

Persian Language and Literature

Abstract

Sadi Shirazi's eloquence is undoubtedly one of the important pillars of Persian literature, but also one of the brilliant and unique figures of world literature. He is a comprehensive and peerless personality who has left valuable and lasting works in the two fields of poetry and prose, and has achieved good innovations and innovations in both fields. Saadi has made so much effort and taste in the architecture of the Persian language and to make its capabilities bright that in truth, his language should be considered as the criterion for measuring the Persian language. It is enough to express the value of his language. It is enough to say that after seven hundred years, we speak the language that we learned from Saadi. Semantic units follow each other like interconnected circles. In addition, in most cases, narrow and subtle lines of consideration such as epithets, similes, proportions, and contrasts make the semantic connection more stable. To increase the music of his speech, Saadi pays more attention to the presentations that add the music of the speech. Saadi's prose has found the taste of poetry and his poetry is the psychology of prose, and because after Golestan, Persian prose was cast in its true form, later on, any poem that is like Saadi's poetry will be similar to prose in composition, that is, due to the blessing of Saadi's existence, the language of Persian poetry and prose has come out of duality and has become one language. It seems that literary arrays are skillfully used in Bostan Saadi, which has given a special beauty to his poems. About 60% of verbal arts and 40% of spiritual arts are used in Saadi's poems. Among the verbal arts, more puns are used, and among the spiritual arts, more similes and allusions are used. The method of work in this research is descriptive and analytical and the method of collecting library information

Key words: Saadi Shirazi, Bostan, verbal and spiritual arrays

Chapter One)

Introduction

In the name of God, give life. What a wonderful language

What is in front of you is the result of an effort that has been made in the way of searching and discovering some of the mysteries of the beauty of the works of Sheikh Ajal - Saadi Shirazi.

Saadi Nameh or Bostan is one of the masterpieces of the great poet of Iran, Hakim Musharraf bin Mosleh al-Din, named after Saadi, according to himself, in the year 655 AH. A written Zi -psyched in an easy -to -use manner and includes a The preface and ten chapters are as follows.

1- Beyond justice and prudence 2- Benevolence 3- Love and passion 4- Humility 5- Contentment 6- Contentment 7- Education 8- Gratitude for wellness 9- Repentance 10- Supplications and the end of the book

A garden containing informative stories and valuable tips And it is wise and without a doubt, like other works of Saadi, it does not need definition and description. A lot has been said about the various aspects of this book, Bostan, whose name was at the beginning of Saadi's letter, and perhaps because of the name "Golestan", it became known as "Bostan" many times in Persian and Turkish. It has been explained.

In order to find and discover one of the mysteries of Saadi's works, I investigated verbal and spiritual arrays in Bostan. The effectiveness and usefulness of these teachings is so much that without a proper familiarity with them and without sufficient and necessary awareness of them, otherwise the writers and orators can properly measure and test the speech and the elegance and prominence.The effectiveness and usefulness of these teachings is so much that without proper familiarity with them and without awareness of them is sufficient and necessary, otherwise the writers and orators can correctly measure and test the speech and show its elegance, prominences and ups and downs. And not the words of friends and literate readers can smoothly overcome its twists and turns and find out its secrets and secrets and taste its sweets and marvels.

However, it is surprising that in all these thousand years that have passed since the discovery and consolidation of Persian poetry and literature, there has been no study in this field by the Persian poets and poets.  I am proud that my humble servant has also reviewed the novel arrangements of Bostan Saadi and I have reviewed all the novel points used in these verses.

The importance and necessity of research:

Speech is beautiful and heartwarming when literary arrangements increase the music of words and speech and appear in a natural and hidden way in the channels of speech, but if artificial and If they are monotonous, they cause dullness and difficulty in the speech, and the literary speech becomes low. The melodiousness of the speech is not only the external music of the poem, but also includes every factor in the speech (both rhyme and prose) that can create a kind of song and music. To increase the music of his speech, among the literary arrays, Saadi showed more interest in the arrays that add the music of the speech. In the introduction he wrote to Saadi's generalities, Foroughi says: "Iranians, because their poetic taste was rich, had brought the style of speech in poetry to the utmost beauty. Sheikh Saadi has used the same method not only in verse but also in prose, if his prose has found the taste of poetry and his poetry has found the flow of prose, and since after Golestan, Persian prose has been cast in a truly worthy form, later on, any poem that is as healthy and smooth as Saadi's poetry will be similar to prose in composition, that is, due to the blessing of Saadi, the language of poetry and the language of Persian prose have come out of duality and become one language"1. - Foroughi 1365, p. 13

Therefore, one of the basic features of Saadi's works, both prose and verse, which has made them more elegant and beautiful, is the good music that Mr. Saadi added to them. Increasing the tone and tone of speech is not skillful in choosing special words and how to place them next to each other, it requires the use of special arrays and Saadi has shown skill and mastery in both fields. Saadi does not show much interest in the art of arranging and like in other fields, he chooses the middle and moderation.

Research objectives: As discussed in detail in the meaning books They should be eloquent and fluent and the connection between the parts of the speech is well observed, yet the speech will not reach its final destination, which is "eloquence and delivery", unless the requirements of the address are properly observed. Saadi is one of the poets and writers who carefully observed all the rhetorical details in the creation of his works. In addition to choosing the words and the way of connecting them, he has not left a single point in knowing the positions of speech. The way of delivering the content (how to say it) which is actually a kind of observance of the current situation plays a significant role in the beauty of his works. In his works, he has repeatedly mentioned the necessity of complying with such requirements. When I think to myself in a general view, who are Saadi's audience? Is Saadi's art the art of Khawas or not? We see that a large part of Saadi's works have a universal and popular aspect. In the creation of his works, he has used a miraculous elegance that while the common people benefit from it, the wealthy are not deprived of its pleasure, and in general, it can be said that Saadi's works belong to everyone. Now, in such an atmosphere, how can one meet the requirements of the present in such a way that both groups of audiences benefit from it and the speech does not descend from its high position and does not become boring. Of course, this issue is one of the secrets of Saadi's ease and restraint and the attractiveness of his speech, which others have rarely managed. He knows that most of the audience do not have enough time and patience to read long stories or long odes, so he overcomes this problem and presents his two immortal works, Golestan and Bostan, in the form of anecdotes, which can be attractive to any audience because they reveal a part of life.