Word Files
Reference for Downloading Educational Files
  2. Literature - Persian Language
  3. Movement and dynamics in the poetry of Shams Tabrizi

Movement and dynamics in the poetry of Shams Tabrizi

Number of pages: 123 File Format: word File Code: 31497
Year: 2014 University Degree: Master's degree Category: Literature - Persian Language
Tags/Keywords: Beautiful - dynamic - Ghazals of Maulana - Ghazliat Shams - language - Maulana - Molvi - movement - music - Persian literature
  • Part of the Content
  • Contents & Resources

  • Summary of Movement and dynamics in the poetry of Shams Tabrizi

    Master thesis in the field of Persian language and literature

    Abstract:

    Movement in the eyes of lexicographers means the movement and transfer of a body from one place to another. Movement and dynamism are created in the poem when the poet is rich in thought and emotion, and his poem is a reflection of nature and life and is tied to human emotions, and the poet, relying on goodness and purity and human values, protects the poem from stagnation and dullness and guarantees its permanence.  Shams Molavi's poetry is one of the most prominent literary texts in the Persian language, which shows the spiritual inflammations of its lyricist Jalaluddin Muhammad Molavi, known as Rumi. In this thesis, twenty-five percent of Shams' poetry is analyzed from the perspective of dynamics, and with a statistical view, the manifestations of movement and dynamics in each of the constituent elements of the poem are extracted. It is his poetic emotion that has given life to all poetic elements and injected movement and dynamism into them. According to the findings of this thesis, dynamic expressions in the music of Molana's ghazal are more colorful than other elements of his poetry; Among these manifestations, we can mention various and countless weights, especially distant, horizontal and transparent weights, internal rhymes, various rows, especially the current rows, and types of repetition. In the field of imaginary forms and among the four imaginary forms of simile, recognition, symbol and feeling, simile and recognition are the most frequent forms of the poet's imagination.  The dynamism of the language of Rumi's poetry is the result of his abundant use of nature words, uplifting words, moving words, action verbs, the use of colors and flavors that have contributed to the poetry language as a result of the poet's emotion and dynamic thought. Regarding the format or form of Rumi's poetry, it should be said that it is the dynamic and pure emotion and music of his poetry that requires novel forms and forms of poetry and has unconsciously led to the poet's innovations in the form of ghazal, the most important of which is changing the traditional position of rhyme and line in poetry.  

    Key words:

                            Movement and dynamics, poetry of Shams, Rumi, Sorkhayal, language, music

    Jalaluddin Muhammad Rumi, known as "Mulana" (672 AH), a mystic from He was an optimist and a hopeful poet whose love was the source of his knowledge. Molvi's passionate love for Shams, who, from Jalaluddin's point of view, was the embodiment of truth on earth, had immersed him in moments of emotional excitement in a state of intoxication and apathy. This rare situation and experience had put Rumi in a special mood, a unique mood that made the poem his translation. The language of poetry is so important to Arif Balkhi that it is as if through poetry that he can depict a part of his spiritual turmoil; although in many cases, both in the Masnavi and in the Ghazals, he asks God to give him a new life so that he can speak without words and when a waiter appears, he puts the paper on the ground and breaks the pen.

        Maulavi's mind is dynamic and alive. He sees everything in motion towards perfection; In his view, the world is the manifestation of a single God who has life with his harmony and wholeness and is moving towards God in love.

          Molavi's lively spirit and romantic mysticism demanded that his images should have movement and dynamics. He is a poet who forbade sadness and his existence was full of spiritual joy and mystical euphoria:

    Let the sad ones eat and we will be more cheerful

     

    Give the captives of sorrow your opium drinker

    Our blood is forbidden for sorrow and the blood of sorrow is lawful for us

     

    Every sorrow Who surrounded us in his own blood

    (3/ B13216-13217)

    Love as the soul of Rumi's mysticism has made the thought, feeling, imagination, language and music of Rumi's poetry move and dynamic.In this dissertation, it is tried to examine the manifestations of dynamism and movement, which is one of the main influencing factors of Moulawi's sonnets, and to show what factors caused this dynamism and movement in his sonnets.

    1. According to some lexicographers, in addition to moving in place, movement also means a change in the position and change of location of the parts of an object without changing the location of the object itself" (Thanavi, 369:1317). The discussion of movement and stillness is one of the issues of natural science, as philosophers have spoken about proving the existence of movement and expressing its nature, types, and rules. Mystics also have theories in this field, which will be discussed in detail in the second chapter. 1-1-2-Movement and dynamics in Rumi's sonnets: Emotion, imagination, language, music, and form are the constituent elements of a poetic work. "The poet presents an idea, which is the product of a logical and real experience, with the related emotion in the form of an image that is mainly a product of his imagination, with his own poetic language and often with a melodious expression" (Turabi, 1370: 72).

    Movement and dynamism in poetic works depends on the poet's having a rich thought and emotion; Because the factors that make a poem dynamic in the field of imagination, language and music are not achieved unless the poet's thought is a reflection of nature and life, and the poet, relying on goodness and purity and human values, protects the poem from stagnation and dullness and guarantees its permanence.

    presents in the form of poetry. In fact, it is the motivations from memories and life events that creates the emotional background of his poetry and makes the poem germinate and be born in his mind.

         The selection of emotional words with more depth and breadth cannot be achieved unless the poet has a rich thought and Rumi has the benefit of a rich and tumultuous love that covers his entire being. had acquired, had both a dynamic thought and emotion and was able to express this rich thought and feeling in language, imagination, music and the form of poetry. He opens all the closed chapters with the power of his thought and with the treasure of his emotions, which derives from true love:

    It is a bunch of keys to the armpit of love

     

    Opening chapters is ripe

    (3/ b13216-13217)

    in the second chapter, each of the constituent elements of the poem will be discussed in detail, and in the fourth chapter, the manifestations of movement and dynamics in each of the poetic elements will be examined and with a statistical look at this manifestations, the analysis of the movement and dynamics of each of the constituent elements of poetry in Shams's sonnets will be discussed.

    1-2- Background of the research:

    In the field of movement and dynamics, an article titled "Movement and movement in Molvi's sonnets" by Mahosh Vaheddoost (2006) in Al-Zahra University Humanities Quarterly, no. 68-69, pp. 167-189 and also the article "Movement in the thought and poetry of Shafi'i Kadkani (M. Sarshak)" by Masoud Rouhani and Mohammad Enayati Qadiklai (1390) was published in Bostan Adeb magazine of Shiraz University, fourth year, number three, pp. 45-70.

    In the article "Movement and Movement" In Molavi's Ghazals, the author first defines movement and then expresses different views, including Molavi's view about it. Unlike Masnavi, who is a theoretician in the field of "movement", the author considers Molavi as a poet who has practically objectified the concept of movement from the mystic's point of view.

  • Contents & References of Movement and dynamics in the poetry of Shams Tabrizi

    List:

    Chapter 1: 1

    Generalities 1

    Problem: 2

    1-1-1- Movement and dynamics 3

    1-1-2- Movement and dynamics in Molana's sonnets 3

    1-2- Research background: 4

    1-3- Research scope: 5

    1-4- Research questions: 5

    1-5- Research objectives: 5

    1-6- Summary of research steps: 6

    Second chapter: 7

    Conceptual framework 7

    2-1- Movement and dynamics: 8

    2-1-1) Literal meaning of movement 8

    2-1-2) Movement from the point of view of sages and philosophers 8

    2-1-3) Movement from the perspective of mystics 10

    2-1-3-1) Existential manifestation: 11

    2-1-3-2) Instant counterfeiting of jewels and renewal of nature: 11

    2-1-3-3) Journey of discovery and departure From falsehood to truth: 13-1-5-1 (emotion) 14-2-1-5-1-1) The effect of dynamic emotion in the language of poetry 15-2-1-5-1-2) The role of dynamic emotion in imagery 16-2-1-5-2) Imagination and image 17

    2-1-5-2-1) simile 19

    2-1-5-2-2) identification (animism) 20

    2-1-5-2-3) sensation 20

    2-1-5-2-4) symbol 21

    2-1-5-3) language 21

    2-1-5-4) music 23

    2-1-5-4-1) external music 25

    2-1-5-4-2) side music 25

    2-1-5-4-3) internal music 26

    2-1-5-4-4) spiritual music 26

    2-1-5-5) Figure 26

    Chapter 3. 27

    Maulana and Shams's poetry. 27

    3- Biography of Maulvi 28

    3-1) Name, ancestry, family and description of life 28

    3-2) Works 34

    3-2-1) Ghazliat 34

    3-2-1-1) Poetic style 35

    3-2-1-2) Rumi's worldview in Ghazals 35

    3-2-1-2-1) Joy and anti-sadness 36

    3-2-1-2-2) Truthfulness 38

    3-2-1-2-3) Unity Existence 39

    Chapter Four: 41

    Investigation of dynamic manifestations in the five elements of Shams's lyric poetry 41

    4-1) Analysis of movement and dynamics in the constituent elements of poetry in Shams' lyric poetry: 42

    4-1-1) Dynamics of poetic emotions 42

    4-1-2) Movement and dynamics in images Imagination 48

    4-1-2-1) Simile 2 49

    4-1-2-2) Recognition 3 51

    4-1-2-3) Symbol 4 52

    4-1-2-4) Sensation 5 54

    4-1-3) Language 56

    4-1-3-1) Uplifting vocabulary 56

    4-1-3-2) Motion-generating vocabulary 58

    4-1-3-3) Nature vocabulary 60

    4-1-3-4) Motion verbs 63

    4-1-3-5) Colors 65

    4-1-3-6) Flavors 69

    4-1-4) Music 72

    4-1-4-1) Outside music 73

    4-1-4-2) Side music 76

    4-1-4-2-1) Current row 76

    4-1-4-2-2) Row by Sentence 77

    4-1-4-2-3) Pronoun row 78

    4-1-4-2-4) Noun row 78

    4-1-4-2-5) Group row 78

    4-1-4-2-6) Letter row 79

    4-1-4-2-8) Suffix row 79

    4-1-4-2-9) Arabic Row 80

    4-1-4-2-10) Double Rhymes 80

    4-1-4-3) Internal Music 81

    4-1-4-3-1) Internal Rhymes 81

    4-1-4-3-2) Repetition 82

    4-1-4-3-2-1) word repetition 83

    4-1-4-3-2-2) pronoun repetition 83

    4-1-4-3-2-3) letter repetition 83

    4-1-4-3-2-4) verb repetition 84

    4-1-4-3-2-5) repetition Expression 84

    4-4-3-2-6) Repetition of the sentence 84

    4-1-4-3-2-7) Repetition of the type of pun 85

    4-1-4-3-2-7-1) Variz al-Wasat 85

    4-1-4-3-2-7-2) Subjunctive 86

    4-1-4-3-2-7-3) derivation 86

    4-1-4-3-2-7-7) line or spelling 87

    4-1-4-3-2-7-8) incomplete movement 88

    4-1-4-3-2-7-9) heart 88

    4-1-4-3-2-7-10) composite 88

    4-1-4-3-2-7-11) participle 88

    4-1-4-4) spiritual music 89

    4-1-4-4-1) consideration (proportion) 8 89

    4-1-4-4-2) contrast 9 91

    4-1-4-4-3) hint 10 91

    4-1-4-4-4) Types of Iham 11 93

    4-1-5) Shape or format 94

    Chapter five: 99

    Conclusion 99

    5-1) Conclusion 100

    Notes: 104

    Sources and References 107

    English abstract..114

    Source:

    Books

    Azer Begdali, Lotf Ali Beyk (1378), Azar Fire Temple, second half,114

    Source:

    Books

    Azer Begdali, Lotfali Beyk (1378), Azar Fire Temple, the second half, edited by Mirhashem Mohaddath, Ch 1, Tehran: Amir Kabir.

    Ibn Sina, Abu Ali Hossein bin Abdallah (1360), Fan Sama Nafili from Kitab Shefa, translated Mohammad Ali Foroughi, second chapter, Tehran: Amir Kabir.

    Ibn Batuta (1361), Ibn Batuta's travel book, Ibn Batuta's journey, translated by Mohammad Ali Mohad, Vol. I, Vol. III, Tehran: Center for Scientific and Cultural Publications.

    Ahmadi, Babak (1370), Text structure and interpretation, Vol. I, Vol. I, Tehran: Center Publishing.

    Iqbal, Afzal (1375), the life and works of Maulana Jalaluddin Rumi, translated by Hasan Afshar, first chapter, Tehran: Center Publishing.

    Al-Aflaki al-Arafi, Shamsuddin Ahmad (1362), Manaqib al-Arifin, Tahsin Yaziji’s corrections and margins, first chapter, second chapter, Tehran: Duniya Kitab. Asfar al-Uqliyyah al-Arabah, Qom: Al-Mustafawi School.

    Al-Tusi nicknamed Khwaja Nasir al-Din, Muhammad bin Muhammad bin al-Hasan (1361), based on quotations, corrected by Modares Razavi, third chapter, Tehran: Tehran University Press.

    Balkhi, Jalal al-Din Muhammad (1387), Ghazliat Shams Tabriz, Vol. I, introduction, introduction and correction by Muhammad Reza Shafi'i Kodkani, Tehran: Sokhn.

    Baha al-Din bin Maulana Jalal al-Din Muhammad bin Hossein Balkhi known as Maulvi (1315), birth certificate, correction and introduction by Jalal Homaei, Tehran: Chapkhaneh Iqbal.

    Perin, Lawrence (1383), About Poetry, translated by Fatima Rakei, Tehran: Information Publications.

    Pournamdarian, Taqi (1374), Safar Dar Meh, Tehran: Winter.

    . (1380), in the sun, Tehran: Sokhn.

    Tadin, Attaullah (1385), Molana and Tofan Shams, Ch 3, Tehran: Tehran Publications.

    Torabi, Ali Akbar (1370), Sociology and Literature of New Poetry, Tabriz: Noble.

    Tehanwi, Mohammad Ali bin Ali (1317), Kashaf Al-Funun Terms,       : Action Press.

    Hosseinpour Chafi, Ali (1386), review and analysis of Rumi's personal style in Shams Ghazliyat, 2nd volume, Tehran: Samt.

    Ghekrit, Abdul Rafi (1384), Rumi from Balkh to Konya, 1st volume, Tehran: Kumesh.

    Khanleri, Parvez (1354), Weight of Persian poetry, Tehran: Tus.

    . (1345), Poetry and Art, Tehran: Iran Joint Stock Company.

    Khalili Jahantigh, Maryam (1380), Sib Bagh Jan, Tehran: Sokhn.

    Dashti, Ali (1386), Siri der Diwan Shams, Tehran: Zovar.

    Dolatshah Samarqandi (1385), Tadzireh al-Shaara, introduction, correction and explanation of Fateme Asafala, Ch I, Tehran: Research Institute of Humanities and Cultural Studies.

    Dehkhoda, Ali Akbar (1338), Dehkhoda dictionary, letter number "H", Tehran: University of Tehran Dictionary Organization. Education of the Islamic Revolution.

    Zarin Koob, Abdul Hossein (1372), Unrevealed Poetry, 7th chapter, Tehran: Scientific Publications.

    (1370), Pele Pele to Meeting with God, Tehran: Scientific Publications.

    San, Howard and Dorothy (1378), Life in Color, Tehran: Hakait Cultural Institute.

    Sepehsalar, Faridun bin Ahmed (1385), Sepehsalar's treatise, introduction, corrections and notes by Mohammad Afshin Vafaei, Ch 1, Tehran: Sokhn.

    Sehrvardi, Shahabuddin Yahya (b.t.), Wisdom of Enlightenment, translation and commentary by Seyyed Jafar Sajjadi, Tehran:        .

    Shafiei Kodkani, Mohammad Reza (1387), Persian poetry eras, Tehran: Sokhn.

    . (1370), poetry music, Tehran: Agah.

    . (1388), Surkhayal in Persian poetry, 13th century, Tehran: Aghaz.

    . (1383), selection of Shams's poetry, introduction part, compilation and introduction by Mohammad Reza Shafiei Kodkani, Tehran: Pocket Books Joint Stock Company.

    Shamisa, Siros (1386), Generalities of Stylistics, second chapter, Tehran: Mitra Publishing.

    . (1388), poetry stylistics, fourth chapter, Tehran: Mitra Publishing.

    . (1387), selection of Molavi's Ghazliat, 8th chapter, Tehran: Nash Qatre.

    Shirazi, Qutbuddin (1369), Darreh Al-Taj, edited by Seyyed Mohammad Meshkoh, 3rd chapter, : Hikmat.

    Shimel, Ann Marie (1367), Shkoh Shams, translated by Hassan Lahoti, Tehran: Scientific and Cultural.

    Alavi Moghaddam, Mahyar (1377), Theories of Contemporary Literary Criticism, Tehran: Samit.

    Alipour, Mostafa (1378), The Language Structure of Today's Poetry, Tehran: Ferdous.

    Gharib, Rose (1378), Criticism Based on Aesthetics and Its Influence in Arabic Criticism, translated by Najma Rajaee, Mashhad: Ferdowsi University Printing and Publishing Institute.

    Ghiyashi, Mohammad Taghi (1368), an introduction to structural stylistics, Tehran: Shole Ya Andisheh.

Movement and dynamics in the poetry of Shams Tabrizi
How To Access The File
Related Contents:
Number of pages: 219 Category: Literature - Persian Language

The thesis for the master's degree ""M.A"", the preface of this research entitled ""Analysis and investigation of the silenced verse in Rumi's Diwan"" has been compiled and compiled in five chapters. The first chapter includes introductory sections that are common to all theses apart from the topic. The second chapter includes the political and social situation of Iran in the ...

Number of pages: 249 Category: Literature - Persian Language

Dissertation for obtaining the master's degree ""M. A"" field: Persian language and literature Abstract Ghazal is one of the most important and widely used forms of Persian poetry. Saadi and Anuri are two prominent Iranian poets in this field. Structural analysis and research is a new scientific method that can help to know the quality of literary works. Ghazals of Saadi and ...

Number of pages: 174 Category: Literature - Persian Language

Abstract: Music is the prominent element of poetic language and the main factor that differentiates poetry from everyday language and normal speech. It also creates an emotional relationship between the creator of the work and the audience and the reader. In fact, by writing poetry, the poet puts the audience in an emotional space and thereby evokes different mental and ...

Number of pages: 120 Category: Literature - Persian Language

The thesis for obtaining a master's degree (M.A) is an abstract of Persian language, which represents the culture and national identity of us Iranians. This language has gone through many ups and downs in the course of time, but it still remains immortal. The secret of Persian language's immortality can be seen in having a rich cultural support; A culture that nurtured great ...

Number of pages: 160 Category: Literature - Persian Language

Master's Thesis in Persian Language and Literature Abstract The most important event in the life of every human being is not his birth, but his death. Death has always been a topic of thought for humans. Perhaps the only thing that a person can say about death is the inability to understand its truth. Despite the statement of wandering and obscurity about death, in thinking ...

Number of pages: 117 Category: Literature - Persian Language

The thesis for receiving a master's degree ""M.A"" is an abstract of Manouchehr Atshi from the generation of poets after Nima, he has understood Nima's time and he has a wealth of experience in Persian poetry of the past, however, the writers and critics have recognized the right to write about him. His poems do not have much influence in the society, but this issue never denies ...

Number of pages: 203 Category: Literature - Persian Language

Dissertation for Master's degree (M.A.) specialization: Persian language and literature, a study of simile in the first five hundred sonnets of Shirazi's Diwan Wasal Abstract: Simile is one of the main elements of imagination that poets and writers have used to express their mental images more beautifully. In this research, the beauty of Wasal's imagery in the field of similes ...

Number of pages: 134 Category: Literature - Persian Language

Abstract With the literary connection of other nations, the efficiency and artistic-cultural and literary power of national literature increases, comparative literature gives people the motivation and ability to understand words and the inner meaning of words in another language. In literature, the subject of wisdom and everything related to reason, rationalism and ethics can be ...

Number of pages: 118 Category: Psychology

In order to receive a master's degree in the field of cognitive psychology, the aim of this study was to study the arousal, pleasantness and dominance of the words used in the common titles of Persian language websites inside and outside the country and to determine its relationship with the arousal, pleasantness and dominance of the whole news headline and to evaluate domestic ...

Number of pages: 170 Category: Literature - Persian Language

Dissertation for Master's Degree in Persian Language and Literature Abstract: This research thesis is about ""Research and Analysis of Poetry Music in Khajovi Kermani's Ghazals"" which in order to achieve this goal, the music of Khajovi's poetry and the way of using capacities and artistic creations and literary possibilities used in his Ghazals have been investigated. Khajo has ...