Farsi language and literature (M.A)
Dissertation for obtaining a master's degree
Abstract
As a stylistic review of Manouchehr Atashi's poetry, this thesis deals with the quality of the review of poetry in terms of style. This thesis consists of four chapters, the first chapter is the overview, the second chapter is the background of the research, the third chapter is the method of collecting information, the fourth chapter is the research findings, which consists of two parts, the first part is introspection from an intellectual point of view in Atashi's poetry, the second part is the review of the collection of Atashi's poems from a literary point of view, and the fifth chapter is the conclusion. The poems that are in the direction of being indigenous, naturalism, mythological, epic and romantic, among them the topic of indigenism and the nature of the South and Ben Historical and mythological sources can be seen in various forms from the grand narratives of ancient mankind. A fire with a pleasant expression ties emotions in the realm of images with emptiness and displays inner profiles. It compares its poetry with other poets and also Afire is influenced by nature and the conditions of its time. Boden.
Chapter One
Research generalities
Introduction
Manochehar Atashi, an Iranian thinker poet, was born in the second century of the contemporary period in October 1310 in a village called Dehroud, Dashtestan South, and in November 1384, at the age of 74, in Sina Hospital in Tehran. He passed away and was buried in Bushehr port. There are beautiful poems by Manouchehr Atashi, who was able to create something new in Nimai's poetry, and he was one of the rare ones who kept the continuity with the new generation.
The story-telling of Atashi's poems, especially in the first period, is one of the most prominent elements of his poetry, and many of them are based on a narrative or a story, which is based on the nature of a myth, a historical story. And in addition to that, he combines new and creative stanzas and gives rise to the poetic spirit in these poems. The connection of poems with nature and myths in the first period of science is almost unbreakable. And usually, mental and objective elements are mixed in his poetry. His collection of poems include another song - the song of the soil - meeting in creation - wheat and pear - description of the Syrian flower - more beautiful than the old form of the world - the last event - the incident in the morning - Gulf and Caspian - the ghazal of Sorna's sonnets.
And in the first three collections of other songs, the song of the soil, and the visit in the sky are concepts of presence. They find that they are examples and models of human life and they never take on an old color. And in the second period, it is separated from storytelling and goes towards the creation of space and the presence of multifaceted elements and internal and external reversals in the construction. In the poems of the third period, there are many mythological/historical signs. We see it, but it is a modern approach.
And one of the most important reasons for Atashi's success was that the level of thought of poetry is of particular importance in his opinion.
Statement of the problem
New poetry was found with the emergence of Nima in the field of Iranian literature and gradually emerged over the years by Nima and some of the fans of Nima'i poetry. It was found and its characteristics and strengths and weaknesses were identified, and with Nima's new poems and other innovators, the path to perfection was made possible for Nimai's poetry. In order to give shape and give an identity to the achievements of his taste and literature, Nima suffered, practiced patience and wrote articles and letters and supported the new poetry in the assembly and made the writers and poets interested in his style understand that with new poetry, easy, more eloquent, freer and more beautiful, one can sing the emanation of one's own taste and put it in the perspective of the mind and literary taste of friends.
Manochehr Atashi is one of the modern poets who in his time was able to increase the power of Nimai's poetry by using his powerful taste and temperament and penetrating and searching mind.
Perhaps it is possible to rank Atashi's position in today's poetry field.
Perhaps it is possible to rank Atashi's place in the field of today's poetry. Atashi's strong and bold presence appeared with his first book, and with the name he chose for it, it was as if he knew that he had come to play another song in today's poetry and to display different faces from what was in our poetry until that day.
Five books have been influential in today's poetry. Nima (Winter) Akhwan (Fresh Air) Shalomu (Another Birth) Farugh (Another Song) Atshi, and to examine his poetic style in all his poetry collections. Continuous study and along with the continuous pursuit of the desired problem, little by little the dark and bright corners of the research will become clear, attainable and clear to me. A student, with every step he takes on the way of creating a thesis, a new point, a new design, comes to his mind and helps him to understand and explore the whole problem as much as possible. I continued on the same circuit and finished it.
I was looking to see and find out how a fire became a fire.
Except Nima, any of the great poets of Nimai poetry such as Akhwan Tahalit, Nader Naderpour, Shamlou, Sohrab Sepehri and others. The number of their works is significantly more than Atashi, but Atashi was able to shine brightly and take a place on the top of the new poetry.
The purpose of comparative study and review in a different style is to introduce and recognize the style of Manouchehr Atashi's poetry and the psychological characteristics of his poems.
Research questions
Investigation in a comparative study of different methods of stylistics and its approaches
What are the characteristics of Manouchehr Atashi's poetic style.
Spiritual and psychological characteristics in composing poems and also the topics of their poems
What are the important factors in distinguishing the styles that are related to the poet's lifetime.
What are the similarities and differences in terms of the theme and theme and the use of words in his poems.
Research hypotheses
Manouchehr seems to have significant differences in his own stylistic features from other modernist poets.
It seems that Manouchehr Atashi has expressed poetic injuries.
It seems that he has prepared from the style of past poets.
-1- Background Research
The history of stylistics should be searched in Greece and Rome. Plato defines style as a quality and a privilege that a speaker benefits from in terms of having a suitable and worthy pattern of speech, and another speaker is deprived of it due to the lack of this suitable pattern; But Aristotle considers style as an inherent property of words and believes that every work has style, but this style may be low, average or excellent. Style is an acquired characteristic, but it is divided into different degrees, the Romans also divided the style into high, moderate and common degrees. When translating the status of a poet or writer, the tazkira writers were tolerant about his style and ended the speech with praise and exaggeration.
From the Safavid era onwards, we find the meaning of style in the books of tazkira, and apparently the first place where the word style is used is Reza Qoli Khan Hedayat's "Majjam al-Fasha". He was a writer or poet. The words, style, method, method, pattern, context, style and the like are used.