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  3. Love in Nimai's poems (based on the poems of Nimayoshij, Fereydon Moshiri, Sohrab Sepehri, Hoshang Ebtahaj and Forough Farrokhzad)

Love in Nimai's poems (based on the poems of Nimayoshij, Fereydon Moshiri, Sohrab Sepehri, Hoshang Ebtahaj and Forough Farrokhzad)

Number of pages: 93 File Format: word File Code: 31485
Year: 2014 University Degree: Master's degree Category: Literature - Persian Language
Tags/Keywords: Contemporary poetry - Fereydoun Moshiri - Forough - half poems - Ibtihaj - love - Moshiri - Persian literature - Persian poetry - Poems by Nima Yoshij - Sepehri
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  • Summary of Love in Nimai's poems (based on the poems of Nimayoshij, Fereydon Moshiri, Sohrab Sepehri, Hoshang Ebtahaj and Forough Farrokhzad)

    Dissertation for Master's degree (M.A)

    Tension: Persian language and literature

    Love in Nimai's poems

    (based on the poems of Nima Yoshij, Fereydon Moshiri,

    Sohrab Sepehri, Hoshang Ebtahaj and Forough Farrokhzad)

    By: Solmaz Reihani

    Summary

    One ??of the dominant themes of poetry, in the poetry of most poets, from the beginning until now, is love. There are many definitions about love and everyone has spoken about love according to their own understanding. On the other hand, a number of poets and writers, sages and philosophers have also received and depicted a different understanding of love. Among the contemporary poets, Nima, Forough, Ebtahaj, Moshiri and Sepehri, as the top personalities in the field of mysticism and Persian literature, have also defined and described love, and each of them has a point of view that fits their intended purpose and expresses mystical experiences, moral and political concepts, various religious and educational topics, and finally, can be considered and investigated to express the secrets of love and romantic passion. Love in the poetry of these five contemporary poets. The most important achievement of the present research is to understand the concept of love in the poetry of these poets and how to theme it. It can be said that love has been reflected in the poetry of these poets in different ways, such as love for the earthly lover, love for the heavenly lover, love for nature, and love for people.

    Introduction

    Love is a kind of deep and pleasant and unlimited feeling that usually revolves around the subject of beauty. This beauty can be both physical and spiritual beauty. Therefore, love is divided into different types, which we will discuss in our place. In fact, love is an indescribable feeling that a person shares with another person in a relationship.

    Love in the word means "the domination of friendship over someone, it has come to the extreme of loving, infatuation, affection and pleasure." (Dehkhoda, 1367: Eshq)

    "Love is excessive desire and the passion of the lover and the beloved of love and it means excessive love And it is friendship and it is derived from "love" and it is a plant that wraps around a tree and eats its water and turns its leaves yellow and its leaves fall and after a while the tree itself dries up. When love reaches its perfection, it destroys the powers and disables the senses and restrains the nature from eating and creates boredom between the lover and the creature and becomes bored with the talk of the unloved." (Rajai Bukharai, 1358: Hafez Poems Collection"

    "Love is a fire that burns in the heart and burns the beloved. Love is a sea of ??calamity and divine madness and the rebellion of the heart with the beloved." (Sajadi, 1389: Dictionary of Mystical Terms)

    The word "love" has various meanings in different situations. In addition to romantic love that is mixed with feelings and sexual desire, which is usually the goal of earthly love in Persian literature, it also includes other types such as mystical, platonic, religious love, love for family, nature, homeland and freedom.
    It takes.

    The root of this word is the name of a plant and in Persian it is called ivy. This plant wraps itself around other plants and turns them yellow. The word love and its derivatives have not been used, and words such as love, love, love, and the like have been used instead of the word love. In Persian literature, especially in lyrical literature, the word love has a special importance, and many Persian poets have left valuable poems about love and romance, describing the beloved and the hardships of love.

    Love in Persian literature is usually divided into two categories: 1) virtual love 2) divine or mystical and true love.

    1) Virtual love, which is mutual love and has been seen in literature since the beginning of Persian poetry. In the works of the first Parsigo poets such as Rudaki, Farrokhi, Manouchehri and other poets, we come across many cases of virtual love. As an example, Abu Hafs Soghdi, one of the first Persian poets, sings like this: rtl;"> because there is no friend without friend how to fast

     

     

    (Safa, 1371, vol. 1: 172)

    2) True or mystical love, which is love for God's essence, which is absolute goodness and perfection. The mystics believe that love ultimately reaches the essence of truth.

    The first manifestation of mystical love and the blending of mysticism with love can be seen in the works of Sanai and Attar, and its peak is in Rumi's poems. Then Hafez mixes this love with earthly love and creates other subtleties. And sometimes it is even low. The lover in this period is sometimes a man and sometimes a maid. There is always talk of connection, and there is no talk of romance, that's why the quality of love is low in this period. (Shamisa, 1383: 63)

    "In the poetry of the 6th century, which is an intermediate style, we do not see any particular change in romantic themes, and like the Khorasani style, love is still at a low level, and love is expressed to Turkish and military servants and lovers. (Ibid.: 172)

    "In Iraqi style poetry, love undergoes a fundamental change and is compared to reason and given superiority. The position of the beloved rises to such an extent that it is mistaken for a god, and mystical love is born in this period." (Ibid.: 247)

    In the Indian style, poetry serves the common people, and love fades. No one is thinking of defining love, lover and beloved. But they express the same mystical and lyrical content of the past, such as love, in the Indian style.

    In the period of return, when they refer to the past, they are not looking for a new plan, and their love, lover and beloved are also the ones that have been borrowed from the styles of the past.

    Certainly, in the creation of Nimai's poetry, the incomparable effect of love in enduring difficulties and passing through hardships and difficulties and the long way of the school The construction is obvious. Love has various manifestations in Nima's existence. It starts with the love of "Helena" and "Saphora". Although both lovers are failures, this failure was the reason for Nima's peak along with change and transformation. The transformation and climax that completely changed his poetic style. And other manifestations of love are visible in Nima's poems, such as love for homeland, love for society and people, love for nature.

    . "Love told me to get up, Han!" »

     

    (Tahbaz, 1389: 27)

    Feridun Moshiri is a poet from the land of kindness and his poetry is always full of moments of love, according to many people. And it is a popular emotion. His thoughts are humanitarian and full of romantic feelings. He has constantly praised love and humanity.

  • Contents & References of Love in Nimai's poems (based on the poems of Nimayoshij, Fereydon Moshiri, Sohrab Sepehri, Hoshang Ebtahaj and Forough Farrokhzad)

    List:

    Abstract 1

    Introduction 2

    Research Background. Love.. 10

    1-1- Types of love.. 11

    1-2- Mystical love.. 11

    1-2-1- Earthly love.. 12

    1-3- The course of love from the beginning of Persian poetry until today. 12

    1-3-1 love in Khorasani poetry.. 12

    1-3-2-love in Azerbaijani style. 15

    1-3-3-Love in the Iraqi style.. 17

    1-3-4- Love in the school of fire. 21

    1-3-5- Love in Indian style.. 21

    1-3-6- Love in the return period. 22

    1-3-7- Love in the contemporary period.. 22

    Chapter two: Nimai's poetry and poets' biographies

    2-1- The causes of Nimai's poetry.. 24

    2-2- Founder of Nimai's poetry.. 25

    2-3- Features of Nimai's poetry.. 26

    2-3-1- The form and structure of Nimai's poem. 26

    2-3-2- The language of Nimai's poetry.. 26

    2-3-3- Love in Nimai's poetry.. 27

    2-3-4- Thought in Nimai's poetry.. 28

    2-4- Nima and his followers.. 29

    2-4-1- Nima Yoshij.. 29

    2-4-1-1- Works of Nima Yoshij.. 31

    2-4-1-2- The end of Nima's life.. 32

    2-4-2- Sohrab Sepehri.. 32

    2-4-2-1- Sohrab Sepehri's poetic style. 34

    2-4-3- Forough Farrokhzad.. 36

    2-4-3-1- The poetic style of Forough Farrokhzad. 38

    2-4-4- Fereydon Moshiri.. 40

    2-4-4-1- Works of Fereydon Moshiri.. 41

    2-4-4-2- Fereydon Moshiri's poetic style. 42

    2-4-5- Houshang Abtehaj.. 43

    2-4-5-1- Works of Houshang Abtehaj.. 44

    2-4-5-2- Works of Houshang Abtehaj.. 45

    2-4-5-3- Poetry style of Houshang Abtehaj. 46

    Chapter 3: Review of love in Nima's poems by Nima Yoshij, Sohrab Sepehri, Fereydon Moshiri, Farugh Farrokhzad and Houshang Ebtahaj. 51

    3-1-3- Love for the beloved.. 53

    3-2- Love in Forough's poetry.. 56

    3-2-1- Earthly love.. 56

    3-2-2- Love for nature.. 61

    3-3- Love in Sohrab Sepehri's poetry. 62

    3-4- Love from Moshiri's point of view.. 65

    3-5- Love in Houshang Ebtahaj's poem. 72

    Chapter four: conclusions and suggestions

    4-1- Conclusion.. 77

    4-2- Suggestions.. 78

    Sources and sources.. 79

    English abstract.. 85

    Source:

    A. Books

    Arinpour, Yahya, 1372, from Saba to Nima.  Franklin Publishing House, Tehran: First Edition.

    Ebthaj, Hoshang, 1378. Rahi and Ahi (selection of Ebtahaj's Haftaftarshaar). Tehran: Sokhon Publishing House, 1385. Tasian. Tehran: Karnameh, first edition. Ahmadi, Babak, 1386. In truth and beauty, Tehran: Center Publishing, twenty-third edition. Third Brotherhood, Mahdi, 1389. Nima Yoshij's heresies and innovations, Tehran: Winter. Adonis, 1385, Sufism and Surrealism, translated by Habibullah Abbasi, Tehran: Sokhn: print. Second.

    Amir Qasem Khani, Parisa, 1378. Life of Sohrab Sepehri, Tehran: Iran Libraries Development Company.

    Anuri, Hassan, 1387. Selection of Saadi's Ghazliat, Tehran: Drops Publishing House, 13th edition.

    Onamono, 1385. Pain of Immortality, translated by Bahauddin Khorramshahi, Nahid Publishing House, 7th edition.

    Pour Namdarian, Taghi, 1377. My name is cloudy: Nima's poetry from tradition to modernity, Tehran: Soroush, 1st edition.

    -, 1384. In the shadow of the sun, Tehran: Sokhon publications, 2nd edition.

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    Hakmi,

    Hakmi, Ismail, 1383. Selected poems of Rodaki and Manochehri, Tehran: Asatir, 9th edition.

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    Dasghib, Abdul Ali, 1345.  An analysis of New Persian poetry, Tehran: Saeb.

    Daqaighi Marozi, Shamsuddin Mohammad, 1345. Raha al-Arwah. Corrected by Zabihullah Safa, Tehran: Tehran University Press, second edition.

    Dehbashi, Ali. 1378. Behnerami Baran (festival of Fereydon Moshiri), Sokhon and Shahab Publications, first edition.

    Dehkhoda, Ali Akbar, 1367. Dictionary, Tehran: Amirkabir.

    Rajai Bokharai, Ahmad Ali, 1358. Anthology of Hafez's Poems. Scientific Publications, Tehran, 9th Edition. 1383. Rodaki, Abu Abdullah. Selected Poems of Rodaki and Manochehri, edited by Ismail Hakemi. Art and Architecture (Collek), numbers 45 and 46. 1386. With Karvan Heleh, Tehran: Scientific Publications, 15th edition. Savor Sofli, Sara, 1387. O Eshgh, all pretexts are from you, Tehran: Sokhon, first edition. Sepehri, Sohrab, 1387. Hasht Kitab, Tehran: Tahori Publishing House, 11th edition. 1388. Eight books, Tehran: Tahuri Publications, 4th edition.

    Sajadi, Ziauddin, 1385. An introduction to the basics of mysticism and Sufism, Tehran: Samit Publications, 12th edition.

    Saadi, Moslehuddin, 1392. Saadi's Generalities, based on the version of Mohammad Ali Foroughi, Tehran: Farhang Jame Publications, second edition. Hadiqa al-Haqiqeh, by the effort of Amir Bani Karimi Hakim Sanai Ghaznavi, Tehran: Zovar Publishing House, 4th edition. Siahpoosh, Hamid, 1374. Memoir of Sohrab Sepehri, Tehran: Spadana Publishing House, 3rd edition, 1376.  Memoirs of Forough Farrokhzad, Tehran: Negah Publishing House.

    Sajadi, Seyed Jafar, 2009 A Dictionary of Mystical, Mystical Terms and Interpretations, Tehran: Tahori Publications, 9th edition. Shakri Yekta, Mohammad Ali, 1384. More heavenly than the name of the sun, Tehran: Third publication. Shafiei Kodkani, Mohammad Reza, 1368. Persian poetry music, Tehran: Negah Publications, 2nd edition. 1380. Periods of Persian poetry from constitutionalism to the fall of the monarchy, Tehran: Sokhan, first edition.

    Shamisa, Siros, 1371. A look at Forough Farrokhzad, Tehran: Marwarid Publications, 2013. Prose stylistics, Tehran: Ferdous Publications, first edition.

    -, 1376. A look at Sohrab Sepehari, Tehran: Marwarid, 7th edition.

    Sadighi, 1384. Searching for the good gray, Tehran, Roshan Mehr.

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    Tahbaz, Siros, 1389. The complete collection of Nima Yoshij's poems, Tehran: Negah Publications, 14th edition. Abdi, Kamiar, 1384. From Masahebet Aftab, Tehran: Third publication, 4th edition. Attar, Fariduddin, 1387. Logic of al-Tir, edited by Shafi'i Kodkani, Tehran: Sokhon Publications, 4th edition. Azimi, Milad, 1387. Padshah Fatah: Criticism and Analysis of Nima Yoshij's Poems, 1378. Emad, Hojjat, 1378. The Desired World of Sohrab Sepehri, Behzad Publishing, 2nd edition. Farrokhzad, Forough, 1379. The Diwan of Poems by Behrooz Jalali, Tehran: Marwarid, 7th edition. 1383. The complete Diwan of Forough Farrokhzad's poems with an introduction by Shah Shuja Shafa, Tehran: Marz Fekar Institute, 1st edition. 1370, Let's believe in the beginning of the cold season, Tehran, Marwarid Publishing. Farrokhi Sistani, 1384. Diwan Farrokhi, by Khalil Khatib Rahbar, Tehran: Safi Alishah Publications, twenty-seventh edition.

    Falaki, Mahmoud. 1385. Music in Farsi White Poetry, Tehran: Another, second edition.

    Shabstri Calcuti, Mohammad Reza, 1385. People in Love, Kermanshah: Taq Bostan Publications, first edition.

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Love in Nimai's poems (based on the poems of Nimayoshij, Fereydon Moshiri, Sohrab Sepehri, Hoshang Ebtahaj and Forough Farrokhzad)
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