Contents & References of A comparative study of the element of light in the holy aura and the painting of Manichaeans and Islamic art
List:
Chapter 1 - Overview of the plan
Introduction. 1
1-1- statement of the problem. 3
1-2 research objectives. 4
1-3 The importance of the research topic and the motivation for choosing it. 5
1-4 research questions or hypotheses. 5
1-5 operational definitions of variables and keywords. 8
1-6 research methods. 8
1-6-1 Historical research. 8
1-6-2 Descriptive research. 9
1-6-3 comparative research. 9
1-7 scope of research. 9
Chapter Two - Theoretical Studies
2-1 Background of the research. 11
Chapter 3 - Research methodology (methodology)
3-1 Research method. 14
3-2 information collection tools. 14
3-3 data analysis method 14
Chapter four - analysis of research findings
Part one. 17
Introduction. 18
4-1 Introducing the functions of light. 21
4-1-1 Definition of light. 21
4-1-2 Light scientifically. 21
Continuation of the table of contents
Title ..page
4-1-3 The importance of light. 23
4-1-4 Light in Quran and Hadith. 23
4-1-5 The sanctity of light. 24
4-1-6 God, light. 25
4-1-7 The truth of Muhammadiyah. 26
4-1-8 Light and existence. 27
4-1-9 Light and beauty. 28
4-1-10 Light is a symbol of existence and darkness is a symbol of non-existence. 29
4-1-11 Human light and beauty. 31
4-1-12 The art of the perfect relationship between man and God and the truth. 32
Part II. 33
4-2-1 Light and the path to the interior. 34
4-2-2 Monotheism. 36
4-2-3 Light of mysticism and Islamic art. 37
4-2-4 Light and color in Islamic art. 41
4-2-5 The position of light in Iranian culture and Islamic arts. 43
4-2-6 Spiritual customs and symbolism in Islamic art. 45
4-2-7 Color and light and teaching of painting in the Islamic era. 51
4-2-8 The world of colors and humans. 54
4-2-9 The concept of space in Iranian painting. 61
4-2-10 The importance of empty space in Islamic art. 66
4-2-11 An enlightened person in Iranian painting. 69
4-2-12 Manifestation and visualization of light in Iranian painting. 72
Continuation of the table of contents
Title ..page
The third part. 78
4-3-1 Shahabuddin Suhravardi. 79
4-3-2 Najmuddin Kobra 80
4-3-3 Alaa al-Doula Semnani. 83
4-3-4 Sheikh Mohammad Lahiji. 86
Part IV. 88
Introduction. 89
4-4-1 Mani ritual. 91
4-4-2 Gostres Manoit. 95
4-4-3 Money and philosophical belief. 98
4-4-4 Manichaean painting. 99
4-4-5 Sogd before Islam (7th and 8th centuries AD) 107
4-4-6 The relation of light and golden color in Manichaean art. 111
4-4-7 The use of golden color in ancient Iran. 112
4-4-8 The concept of light in the Manichaeism. 112
4-4-9 colors in Manuvian works. 113
4-4-10 Manifestation of light and golden color in Manichean works. 114
Chapter Five - Conclusion
5-1 Conclusion. 126
Resources. 127
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