Dissertation for Master's degree
Department of Literature and Humanities
Abstract
New poetry has remarkable and admirable expressive and rhetorical strengths and it differs from ancient poetry in terms of form, intentions and concepts, form and content, rhetorical forms, weight, song, music, emotion, feeling and imagination.
One of the areas that contemporary poetry in It has a new word, it is a description of the symbols of nature and the manifestation of small and macro phenomena in the context of speech. Contemporary poetry with its new and wonderful similes is the percentage of describing nature with new interpretations, descriptions, images and perspectives and reports, and to achieve this goal and purpose and approach to the selection of new and far-reaching words and combinations and the use of the music of words and combinations and sentences and the use of rhetorical figures derived from imagination, in describing the symbolic effects of nature, it has created great and wonderful works.
Creating beautiful paintings and In his report on the creations of the vastness of existence, in the poetry of the great contemporary innovators, it is something worthy of attention and praise. This thesis has followed the methods of creating beautiful pictures of nature in poetry, and has shown how the great contemporary innovators have used the mind, taste and imagination, and presented the most beautiful and complex descriptions and interpretations in this matter. Their consanguinity and nature with some natural symbols and contemporary poets' use of their mythological and ancient and possibly epic concepts have opened a brief and appropriate description.
Foreword
One of the purposes of poetry is description. Description in its semantic scope includes interpretation, explanation, interpretation and report, and if we want to say more precisely and scientifically, description, interpretation, explanation, interpretation and report each identify a phenomenon or an institution in different dimensions. This introduction is scholarly, and it requires special elegance, precision, and insight, and it is based on the power of reasoning, and the author explains and expands on the subject and topic by using his knowledge and referring to related books and references. Its foundation is the collection of materials and documents and the presentation of proofs and arguments.
In the field of literature and the world of poetry, it is a different language. It is true that the poet gets help from his wisdom and insight in composing, and in fact, it is the foundation of wisdom and knowledge. But the first and last words in the poem are emotion, feeling and imagination. Poets are God's description, and this description comes from the special taste and intelligence of the poet, his elegance, accuracy, sharpness and tenderness of his soul. The poet has a special intelligence and feeling in understanding the phenomena and affairs of the universe. The driving force of the poet is to describe the same feeling and his poetic perception of the elements and texture of the set of phenomena.
In the process of composing, what attracts the poet's eye, emotion and imagination the most is the creation and expanse of nature. For a long time, ancient poets have described nature in various moods. Indeed, the expanse of the sky and the earth, with so many wonders, has a place to describe and express wonder. For centuries, poets have been describing the achievements of the beloved and powerful creator from the depths of their hearts and feelings. The world is full of symbolic manifestations of nature and each of these manifestations is the manifestation of the attribute of "Creator" who has created whatever He willed and as He willed in the material world. Therefore, special praise and praise is due to the creator who brought so many different and wonderful creations with different manifestations into the universe from nothing! Indeed, he is worthy of praise and special praise is due to the Lord of the worlds. In Persian literature, in old and new poetry, it has been described as a wide range of manifestations and manifestations, full of subtleties, subtleties and details.
In Nimai's poetry, the modern poets have created eloquent, eloquent, beautiful, eloquent and melodious compositions with the art of poetry and presented them to contemporary poetry enthusiasts and lovers.
Study and understand and receive the subtleties and subtleties of Symbolism of nature in Nimai's poetry is a topic that can be heard and read. The author of this thesis has tried to analyze such poems with elegance and accuracy in the field of Nimai's poetry and to recognize the art of contemporary poets in describing and explaining and watching the symbolic manifestations of nature.
Understanding and receiving these descriptions and reporting them is in various fields, stages and levels.. On the one hand, the author has represented and shown the methods of contemporary innovators in this field, and on the one hand, he has considered and reported the rhetorical points and the treatment of words and descriptive and symbolic sentences, and on the other hand, sometimes judgment and evaluation, eloquence and descriptive power of the poems. The talk about the manifestation of the symbolic manifestations of nature in contemporary poetry has a wide and long scope and the author has tried to write a relatively comprehensive description of this topic in brief.
Once again, what is in front of the readers and lovers and enthusiasts of contemporary poetry in this dissertation is an effort and a plan of this type, it is this kind of effort and search, it is hoped that the success of reporting and processing this issue has been granted to the author.
Anas and alfat of Persian language poets in every period and in every style and school with the world and its elements and phenomena is a problem that can be reviewed and reported from different views and angles. Above all, the poet is faced with nature and man. He works with both of these, and the poet uses his mind, imagination, and emotion to explain the affairs of the world and nature and what man is faced with.
From the moment a man opens his eyes and sees the world and nature around him, he wants to know and talk about it as much as possible. He speaks both scientifically and poetically. Natural scientists study and know nature as it is and discover the laws that govern it. From the point of view of natural sciences, the world around us has so many points, laws, order, mysteries, and mysteries that after hundreds of centuries of man's exploration, search, and research, many of the affairs of nature are still a problem and mystery for him, and until today he has not been able to discover all the angles and secrets of the objects and elements around him, whether in the reach of man or in the far distance. Imagination is also a work of the same context. Poets' communication with the elements and symbols of nature started with simple and obvious similes and metaphors. In the surviving verses of the first Persian poets, the manifestation of the symbols of nature can be seen simply. In the poetry of Khorasani style, poets such as Farrokhi and Manochehri, their poems are tied to nature in various ways, because they were in lands like Herat, Ghaznin and other green places, and the pristine and beautiful nature was always in front of their eyes, and it is not without reason that the names of most flowers and birds can be found in Manochehri's poetry. Manochehri is a poet of nature, and other poets of this period and later periods are also familiar with the elements of nature.
Little by little, poets' reports of nature find special details, subtleties and complexities, and just like Persian poetry in the field of wisdom, philosophy and mysticism, society and politics and praise and praise, human issues, storytelling and storytelling, epics and myths, fruitful notebooks dedicated to the literature of friends. and the people of taste and knowledge, he also went to nature and re-examined it in the field of emotion, feeling and imagination and presented pure, eloquent and charming poems to the lovers of Persian literature.
There is no doubt that among the contemporary innovators, the contribution of some of the great contemporary poets, including the founder of new poetry, namely Nima and then Sohrab Sepehri, and after that Akhwan Thalit, Siavash Kasraei, Ahmed Shamlou, Manouchehr Atashi and Hamid Masdagh, Forough Farrokhzad and Shafiei Kodkani. It is more in the field of orientation and reporting of nature and its symbols. Among these, Sohrab Sepehri, and then Akhwan Al-Talih, Shamlou, and Shafi'i Kodkani pay more attention and interest in interpreting and describing nature from various angles.
The main problem of this thesis is to show the power of modernist poets in describing the symbolic manifestations of nature and how modernist poets in their new poetry, by using and using images Khyal has been able to describe the symbols of nature in the best way and by using similes and metaphors and other forms of imagination, they have shown and created very beautiful pictures of nature in new poetry. These descriptions and paintings are secondary in nature and their attractiveness and beauty are to the point of admiration and praise. Every reader can truly recognize the greatness of the work and genius of the innovators in their attitude to the world and nature and the reflection of each creation in the field of new poetry.