Contents & References of Investigating the capacities of pop music in religious propaganda
List:
Abstract
List
Chapter One: Generalities
Introduction.. 10
Problem statement.. 11
Statement of research necessity.. 13
Research question.. 14
Research methodology.. 15
Theoretical framework...17
Concepts...18
Religion...18
1-7-1-2. Religion in Islam. 19
1-7-2. Advertisements.. 20
Religious advertisements. 21
Religion media advertising. 22
1-7-3. Popular culture. 23
Popular music. 24
1-7-4-1. Popular Iranian music. 26
1-7-4-2. hybrid music 27
1-7-4-3. Popular music in religious propaganda. 28
1-8. Research background.. 29
Chapter Two: Research literature
2-1. Introduction.. 34
2-2. Religion and music.. 34
2-2-1. Music in Islam. 36
2-2-1-1. Ghana and music in Islam. 37
2-2-2. Music in the church.. 40
2-2-3. Music in Judaism.. 40
2-2-4. The difference between music in Islam and Christianity. 41
2-2-5. History and discourse of world music. 42
2-3. Religion and media.. 43
2-3-1. Evangelists.. 44
2-3-2. Electronic media. 44
2-3-3. Media propaganda of religion or the mediaization of religion. 45
2-4. Meaning in music.. 46
2-4-1. Meaningful components. 47
2-5. Popular music.. 48
2-5-1. History of popular music. 48
2-5-2. Popular technology and music. 50
2-5-3. Music functions. 51
2-5-4. Soothing music and media. 54
2-5-4-1. Popular radio and music. 54
2-5-4-2. Popular TV and music. 55
2-5-4-3. Internet and popular music. 57
2-5-5. Pop music instruments. 58
2-5-6. The importance and role of songs in popular music. 59
2-5-7. Politics in popular music. 61
2-6. Literature and theoretical approaches. 62
2-6-1. Cultural studies. 63
2-6-1-1. Popular music studies. 64
2-6-1-1-1. Educated culture and popular music. 65
2-6-1-1-2. Popular music and mass society. 66
2-6-1-1-3. Political economy approach. 66
2-6-1-1-4. Structuralism and musicology. 68
2-6-1-1-5. Believable culture and popular music. 69
2-6-1-1-6. Postmodern rock. 70
2-6-1-2. Adorno's critical theory of popular music. 71
2-6-1-3. Production culture or production culture. 72
2-6-1-4. Independent music production companies. 73
2-6-1-5. Demand for creativity. 73
2-6-1-6. Production culture. 74
2-7. Audience in popular music. 77
The third chapter: research methodology
3-1. Introduction.. 84
3-2. Qualitative research method.. 85
3-3. Foundation data method.. 86
3-4. Data collection.. 87
3-4-1. Semi-standard interview. 88
3-4-2. Interviews with experts. 89
3-5. Research sampling method. 90
3-6. Data analysis.. 91
3-6-1. Theoretical coding. 91
3-6-2. Coding. 91
3-7. Qualitative content analysis. 93
3-8. Research method. 94
3-8-1. Data obtained from interviews. 94
3-8-2. Qualitative content analysis of research literature. 95
3-9. Theoretical notes of the researcher. 96
Chapter Four: Research Findings
4-1. Introduction.. 98
4-2. Axial codes.. 99
4-2-1. Core codes of research literature. 99
4-2-2. Core codes of interviews with experts and audience groups. 103
4-2-3. Core codes of theoretical notes. 109
4-3. exploratory concepts. 143
4-3-1. being a medium 143
4-3-2. active audience 144
4-3-3. market conditions. 144
4-3-4. Organizational production. 145
4-3-5. non-musical system (multi-symbol system). 146
4-3-6. The translatable and communicative language of the song. 148
4-4. exploratory categories. 149
4-4-1. Flexible structure. 149
4-4-2. Variable structure. 149
4-4-3. Communication structure. 150
4-4-4. Simple structure. 152
Chapter Five: Conclusion
5-1. Introduction. 155
5-2. conclusion 157
5-3. Final theory. 168
5-4. Research limitations. 169
5-5. Suggestions. 170
List of tables:
Table (4-1) of the core codes of qualitative content analysis. 131
Table (4-2) of the core codes of the interviews. 132
Table (4-3) of the core codes of theoretical notes. 133
Table (4-4) exploratory concepts. 135
Table (4-5) exploratory categories. 135
Table (4-6) polar categories. 136
Table (4-7) of selected codes. 136
Table (4-8) central category. 137
Table (4-9) causal conditions. 138
Table (4-10) context. 140
Table (4-11) intervening factors. 141
Table (4-12) actions/reactions. 142
Table (4-13) results and consequences. 143
Table (5-1) conceptual model. 156
List of sources
Persian sources. 172
English sources. 174
Appendix.
Semi-standard interview questions. 176
The text of some interviews. 179
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