Designing a meeting center and cultural interactions with a dialogue-oriented approach

Number of pages: 144 File Format: Not Specified File Code: 29511
Year: Not Specified University Degree: Not Specified Category: Architectural Engineering
Tags/Keywords: architecture - culture
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  • Summary of Designing a meeting center and cultural interactions with a dialogue-oriented approach

    Dissertation for Master's Degree

    Architectural Engineering Department

    Winter 93

    Abstract

      culture Every nation, birth certificate that nation‌ and civilization Every evening identity card it‌ Evening to‌ is counted and the main reason for the necessity both‌ biological‌ cultures, necessity bio‌ social‌ human beings‌ is‌ And dialogue is the way to leave conflict and reach understanding and empathy. The disadvantages of this lack of dialogue and interaction are also complete‌ Desire, excellence and the development of demand some‌ Civilizations and cultures that are the biggest obstacle‌ bio‌ peaceful societies It is human. The problems of today's world, the existing wars and even the internal problems of our own country of Iran are caused by this lack of interaction, dialogue and empathy between different religions, religions, cultures and civilizations.

    On the other hand, the city of Qom is a city that accepts immigrants from different Iranian ethnic groups and also has foreign students from all over the world with deep intellectual-cultural differences. This feature of the city requires a lot of dialogue and reaching empathy or at least the closeness of opinions, that the emptying of thoughts during the conversation will soften the spirit of the city, create more mental peace in the city, create a spirit of flexibility and criticism.

    In this treatise, the "conversation" solution In order to improve the performance of cultural gathering centers, it is analyzed and by defining the concepts of gathering, conversation, interaction and culture, we reach a clear understanding of the impact of these categories on each other and on architecture, and then by examining the relationship between humans and the artificial environment, it answers the question of how culture and environmental elements can be effective in the formation of social interactions and the spread of culture. Then, we infer the architectural meaning of the effect of these elements on the construction of a space in accordance with the general characteristics of the conversation from this research and give it an embodiment. What was most noticed in this process was the basics of Iranian architecture and the methods of conveying meanings through the embodiment of a part to the higher concepts indirectly, especially through sacred geometry, which was also implemented in the design. Therefore, the research method consists of documentary, descriptive and field study.

     

    Chapter one:

    Knowledge

    Includes:

    A: Problem

    Problem statement

    Research questions

    Research objectives and hypotheses

    Necessity of design

    Overview of the conducted research

    Research Process

    B: Definitions, Origins, Records

    Gathering

    Discussion

    Culture

    Identity

    Environment

    Space

    Form

     Time

    Iranian Architecture

    C: Conclusion

     

     

     

     

    Problem

     Problem Statement

      society‌ from the intersection‌ Turbulent‌ Human beings appear and the birthplace Cultures are also the point of call‌ and intersection‌ people‌ is‌. in the same‌ Evan‌ creation‌ Adam, to pure‌ Anke‌ for‌ the first‌ Human load‌ with human‌ no longer to‌ "payment dialogue", "culture" also born‌

    Culture can be considered a complex set of knowledge, beliefs, art and customs of a society[1] which is based on the values ??that a group adheres to and follows in the social structure.[2]

    In short, culture‌ Every nation, birth certificate it‌ nation and civilization Every evening identity card it‌ Evening to‌ is counted and the main reason for the necessity both‌ biological‌ cultures, necessity bio‌ social‌ human beings‌ [3] and dialogue is the way to leave conflict and reach understanding and empathy.The disadvantages of this lack of dialogue and interaction are also complete‌ Desire, excellence and the development of demand some‌ Civilizations and cultures that are the biggest obstacle‌ bio‌ peaceful societies It is human, exclusivity, self-absolute right consider‌ and others‌ invalidate‌ pure‌ thinking‌, lack‌ recognition companions‌ cultures and civilizations from each other and misunderstandings Destruction‌ that‌ Mayeh darkness‌ space‌ understanding between‌ Religions and cultures have become and opportunity‌ Look‌ transparent from units of‌ human‌ foreclosure‌ done‌ and finally, the clash of civilizations, which is one of Mr. Huntington's theories, shows how dangerous and destructive the lack of interaction and tolerance is. The problems of today's world, the existing wars and even the internal problems of our own country of Iran are caused by this lack of interaction, dialogue and empathy between different religions, religions, cultures and civilizations. Qom city is a city that accepts immigrants from different Iranian ethnic groups and also has foreign students from all over the world with deep intellectual-cultural and religious differences. This characteristic of the city needs a lot of dialogue and reaching empathy or at least a closeness of opinions, that the emptying of thoughts during the conversation will soften the spirit of the city, create more mental peace in the city, create a spirit of flexibility and criticism.

     

    In today's world, one of the places where culture is formed are the meeting and gathering centers of the city, but considering the current state of society, we realize that these centers cannot fulfill their role well if they are monophonic and monotheistic. It is not possible to achieve culture through speeches, sermons and speeches, but culture must penetrate into people's lives bit by bit and flow in their lives. One of the ways to spread culture is to avoid monotony and dialogue and interaction between cultures. Cultural meeting centers will not go anywhere until they become places for cultural discussion and dialogue, and culture cannot be fertilized and published and expanded only with lectures, sermons, orations and one-way talking. To be analyzed in order to improve the performance of cultural gathering centers.

    Research questions

    1-  How can gathering centers perform the role of spreading culture in a better way?

    2-  How can using environmental elements and architectural design help to increase cultural interactions in a gathering center?

    Research objectives and hypotheses

    1-1-3-1- Hypotheses:

    ·  Dialogue between cultures will reduce conflicts and help to calm the mind.

    ·  By designing graded spaces of different levels of conversation, it is possible to help increase social and cultural interactions in a meeting center.

    ·  Cultural interaction happens when we don't design only theological spaces like the conference hall and give more importance to the spaces of collective communication and dialogue, in this case the performance of cultural gathering centers will increase.

    ·  Using architectural elements that are the common language of cultures to reach empathy is one of the ways of mental dialogue that one of the elements of the common language between cultures is "geometry".

    1-1-3-2- Objectives:

    ·  Using familiar architectural elements and cultural symbols to create a sense of security and closeness for dialogue and interaction.

    ·  Helping reduce conflict and conflict with peaceful and respectful dialogue.

    ·  Improving the performance of cultural centers in order to spread culture by using physical elements of architecture.

    ·  Using environmental variables to create places for dialogue and peaceful coexistence. and reasons‌ many‌ in determining‌ and realization‌ Objective‌ ratio‌ between‌ a‌ culture and civilization with culture and civilization other involved‌ is‌; But the main‌ reasons‌ possibility‌ and necessity‌ both‌ biological‌ cultures, the same causes‌ and reasons‌ justify‌ doer Necessity‌ bio‌ Social‌ human beings‌ is‌.

  • Contents & References of Designing a meeting center and cultural interactions with a dialogue-oriented approach

    Abstract

    Knowledge of the problem

    Statement of the problem. 2

    Research questions. 3

    Research objectives and hypotheses. 3

    Necessity of the plan.

    1-2-1- Gathering. 8

    1-2-2-Discussion. 11

    1-2-3- Culture. 14

    1-2-4- Identity. 22

    1-2-5- Environment. 23

    1-2-6- Space. 25

    1-2-7- Form 27. 1-2-8- Time. 30. 1-2-9- Iranian Architecture. 31. Conclusion. 33. Theoretical Foundations. 2-1- Foundations of Iranian culture and its impact on architecture. To the interior in Iranian architecture. 37

    2-2- How to express thoughts and ideas with geometry. 38

    2-2-1- Geometry. 38

    2-2-2- Sacred geometry: metaphor of world order. 40

    2-2-3- Geometry in Iranian architecture. 40

    2-2-4- Golden ratio. (Golden)

    2-3-3- Ways of manifestation of the sacred in architectural art. 52

    2-4- Application of color, numbers and myths in architecture. 53

    2-4-1- Color in architecture. 53

    2-4-2- Myths and symbolic forms. 54

    2-4-3- Metaphysics of symbolic forms. 55

    2-4-4- Color and light. 55

    2-5- Time and its relationship with dynamics in architectural space. 56

    2-5-1- Movement from the perspective of philosophy. 56

    2-5-2- Movement from the perspective of architecture. 56

    2-5-3- Elements that induce movement in architecture. 57

    2-6-Dialogue between cultures. 59

    2-6-1- Indicators of intercultural communication. 59

    2-6-2- General characteristics necessary for oriented dialogue. 60

    2-7- The environment and the impact of its components on architecture. 60

    2-7-1- General characteristics of the response of the collective environment. 61. 2-7-2- Inferring the results of the response of the environment according to the characteristics of dialogue. 62. Analysis of samples. 3-1- The history of cultural centers in some countries of the world. 64. 3-2- The history of cultural centers in Iran. 67

    3-3- Review of case examples of Cultural Center (Iranian). 68

    3-3-1- Niavaran Cultural Center. 68

    3-3-2- Isfahan International Cultural Center. 75

    3-3-3- Dezful Cultural Center. 76

    3-4- Sample review Foreign cultural center 77. 3-4-1- TJ Bao Cultural Center 77. 3-5- Conclusion 81.

    Geographical, demographic and climatic studies of Qom city

    4-1- Natural boundaries of the province 83

    4-2- The natural geography of the province.83

    4-3- The climate of the province and its effect on the building.84

    4-3-1- Precipitation.84

    4-3-2- Temperature.85

    4-3-3- Wind.87

    4-3-4 - Choosing the right direction of buildings.87

    4-4- General results and suggestions. 88

    4-4-1- Conclusion table. 89

    4-4-2- Climate design solutions used in the project. 90

    Research results

    5-1- Design solutions. 92

    5-1-1- Design criteria 92

    5-2- Design system. 92

    5-3-Architectural meaning of the concepts of cultural dialogue in the design of the conference and cultural dialogue center. 93

    5-4- Required spaces. Office space. 96

    5-4-3- Facility spaces. 96

    5-4-4- Cultural product supply space. 96

    5-4-5- Educational space. 96

    5-4-6- Public service space. 96

    5-5- Space design

    5-5-1- Discussion space 96

    5-5-2- Office space. 101

    5-5-3- Utility spaces. 102

    5-5-4- Cultural products supply space. 102

    5-5-5- Educational space. 102

    5-5-6- Public service space. 102

    Analysis Site

    6-1- Field studies. 104

    6-1-1- General location of the site in the city. 104

    6-1-2- Land use. 105

    6-1-3- View and view of the site. 105

    6-1-4- Neighborhood of the site. 106

    6-1-5- Traffic situation and Surrounding streets 106 6-1-6- accesses to and from the site 107 6-2 site climate analysis 108 6-3 location of the plan 108 Design process and plan justification 7-1 Design process 110

    7-1-1-Alternatives.110

    7-1-2- Initial volume.110

    7-1-3- Reaching the work geometry.111

    7-2- Theoretical foundations.112

    7-3- Introducing the design.114

    7-3-1- Structure. 114

    7-3-2- Facilities. 115

    7-3-3- Earthquake arrangements. 115

    7-3-4- Special arrangements for the elderly and disabled. 115

    7-3-5- Acoustic arrangements. 116

    7-3-6-Climate provisions 117

    Resources and sources

Designing a meeting center and cultural interactions with a dialogue-oriented approach